"It is _not_ silly if we take the right view. We must sit together in
order to get into harmony. We further these conditions by sitting in
subdued light with fingers touching. Song adds still more to this
concert of thought. Nothing is really silly or prosaic--all depends
upon the minds of those--"
He was in the midst of an elaborate defence of spirit methods when
Viola's hand began to leap as if struggling to be free. She moaned and
sighed and writhed so powerfully that her chair creaked. "Oh, dear!
Oh, dear!" she cried, gaspingly.
"Is she trying to free her hands?" Morton asked himself, with roused
suspicion. "Is this a ruse to cover some trick?"
Mrs. Lambert spoke quietly. "She is going! Sing something, Anthony."
Clarke began to hum a monotonous tune, while Morton, bending towards
the girl, listened to her gurgling moans with growing heartache. "She
seems in great pain, Mrs. Lambert. Don't you think we'd better release
her? I do not care to purchase sensation so clearly at her expense."
"Don't be alarmed, she always seems to suffer that way when some great
manifestation is about to take place."
The poor girl's outcries so nearly resembled those of a death struggle
that Kate at last rose. "Turn up that light! She is being strangled!"
"Please be silent!" said Clarke, almost angrily. "Take your hands from
her, gentlemen! You are too 'strong'--and do not startle her! Be quiet
everybody!"
Morton took his hand away in anger and disgust. "All this is a ruse to
weaken our grasp upon her," he thought. "Even the mother, so serene,
so candid, is aiding the deception."
"Things will happen now," remarked Mrs. Lambert, confidently; "she is
giving herself up at last."
The girl drew a long, deep, peaceful sigh, and became silent, so
silent that Morton, leaning far over, with suspended breath, his ear
almost to her lips, could detect no sound, no slightest movement, and
listening thus he had for an instant a singular vision of her. He
seemed to see her laughing silently at him from a distant upper corner
of the room, and for the moment secured a glimpse into a new and
amazing world--the world of darkness and silence wherein matter was
fluid, imponderable, an insubstantial world peopled, nevertheless,
with rustling, busy souls.
A sharp rapping began on the cone, a measured beat, which ended in a
clang, which startled Kate into a shriek. "Who is doing that?" she
asked, nervously.
"They are here," Clarke solemnly announced.
"Is that you, Waltie?" asked Mrs. Lambert, sweetly.
Three raps, loud and clear, answered "yes." A drumming on the cone
followed, and Mrs. Lambert, her voice full of maternal pride,
remarked: "Waltie is the life of our sittings--he's _such_ a rogue!
You must be a nice boy to-night--on account of these very
distinguished men."
"Rap, rap!" went the cone.
"Does that mean 'all right'?"
"Rap, rap, rap!" Yes.
"Is grandfather there?"
"Yes."
"Does he wish to speak to the gentlemen?"
"Yes."
"Are we sitting right?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account