At this moment Morton became seized of the most vivid realization of
the physical characteristics of the man back of the voice. In some
mysterious way, through some hitherto unknown sense, he was aware of a
long, rugged face, with bleak and knobby brow. The lips were thin, the
mouth wide, the dark-gray eyes contemptuous. "It is all an inner
delusion caused by some resemblance of this voice to that of some one
I have known," he said to himself; but a shiver ran over him as he
questioned the old man. "If you are the grandfather of the psychic,"
he said, "I would like to ask you if you think it fair to a young girl
to use her against her will for such foolery as this?"
"The purposes are grand, the work she is doing important--therefore I
answer yes. She is yet but a child, and the things she does of her own
motion trivial and vain. We make of her an instrument that will enable
man to triumph over the grave. You will observe that we do not harm
her, we take but little of her time, after all. You are unnecessarily
alarmed. Our regard for her welfare far exceeds yours. Her troubles
arise from her resistance. If she would yield herself entirely, she
would be happy."
As the voice paused, Morton asked, "Weissmann, can you hear what is
being said to me?"
"Very indistinctly," answered Weissmann.
"What does it say?" asked Kate. "I can only hear a kind of jumble."
Weissmann interjected; "I must ask you, Mrs. Rice, have you tight hold
of Mr. Clarke's hand?"
"Yes," answered Kate.
Morton's brain whirled in confusion and conjecture. He believed the
whole thing to be a piece of juggling, and yet he could not connect
Viola in any way with it, and it seemed impossible, also, for Mrs.
Lambert to sit where she was and handle the cone, to say nothing of
the ventriloquistic skill necessary to carry on this conversation. He
again addressed the voice: "You consider your control of the psychic
to be justified?"
"We do."
"Do you know, also, what perilous notoriety, what positive
disgrace--from every human point of view--you are about to bring upon
her?"
Public-domain text, read in full here on John Shaqi.
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