Sitting thus alone in the deep of the night, the flush of his joy at
the proof of Viola's innocence grew gray and cold in a profound
disbelief in the reality of his experiences. "_Did_ anything really
happen?" he asked himself. Returning to the library with intent to
study the situation he mused long upon the tumbled books, the horn,
the tables, and the chairs. He put himself in Viola's seat in the
attempt to conceive of some method whereby even the most skilful
magician would be able to pull out tacks, rip stitches, and break
tape--and then--more difficult than all, after manipulating the horn,
reseat himself and restore his bonds, every tack, to its precise
place. And his conversation with "Loggy," most amazing of all, came
back to plague him. What could explain that marvellous simulation of
his uncle's chuckling laugh?
Yes, Viola was clearly innocent. It was impossible for her to have
lifted a hand; that he decided upon finally--and yet it was almost as
difficult for Clarke or Mrs. Lambert to have performed all the tricks,
"Unless Kate"--he brought himself up short--"in the end, my own
sister, is involved in the imposture," he exclaimed, with a sense of
bewilderment.
When he dwelt on Viola's delight in her own vindication, and
remembered her serene, sweet, trustful glance, a shiver of awe went
over him, and the work of saving her, of healing her, seemed greater
than the discovery of any new principle; but whenever his keen,
definite, analytic mind took up the hit-or-miss absurd caperings of
"the spirits" he paced the floor in revolt of their childish
chicanery. That the soul survived death he could not for an instant
entertain. Every principle of biology, every fibre woven into his
system of philosophy repelled the thought. To grant one single claim
of the spiritists was disaster. "No, the mother and Clarke are in
league, and when the bonds are on one the other acts. I see no other
explanation. I distrust Clarke utterly--but the mother is apparently
very gentle and candid, and yet--Weissmann may be right. Maternal love
is a very powerful emotion. That second voice was like hers. And yet,
and yet, to suspect that gentle soul of deliberate deception is a
terrible thing. What a world of vulgarity and disease and suspicion it
all is! An accursed world, and the history of every medium is filled
with these same insane, foolish, absurd doings."
Public-domain text, read in full here on John Shaqi.
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