She patted him on the shoulder. "Go to bed, laddie, it's only a mood.
She will be all sunshine to-morrow. It's only a reaction from a
wearisome day--be patient and don't worry."
"She tortured me deliberately," he went on, wildly. "She let that man
take her hand. She smiled at him in a way that set my brain on fire. I
tried to be calm. I didn't intend to speak harshly, but I wanted to
kill him when he said good-night to her. May God eternally damn his
soul if he tries to steal her from me!"
She recoiled from his fury. "Tony! What are you saying?"
"I mean it! Do you think I will submit to his treachery? I told him
she was mine, and yet he took her hand--he leaned to her--he looked
into her face." His eyes blazed with such wild light that the gentle
woman shrank and shivered.
"Tony, you are letting your imagination run away with you. Go to bed
this instant," she commanded, in a voice that trembled.
He went away at last, weeping, miserably maudlin, almost incoherent,
and when she closed and locked the door upon him she dropped into a
chair, and for the first time since her husband's death gave way to
tears of bewilderment and despair.
XVI
THE HOUSE OF DISCORD
Surely Simeon's house that night was a place of tormenting and
tumult--the meeting-place of spirits whose dispositions were to evil
fully inclined, and of mortals whose natures were upon the edge of
combat. Viola, in full revolt, would not even permit her mother to
come to her. Clarke, in an agony of love and hate, paced his room or
sat in dejected heap before his grate. Mrs. Lambert, realizing that
something sorrowful was advancing upon her, lay awake a long time
hoping her daughter would relent and steal in to kiss her good-night,
but she did not, and at last the waters of sleep rolled in to submerge
and carry away her cares.
Viola, made restless by her disgust of Pratt as well as by her loss of
respect and confidence in Clarke, did not lose herself till nearly
dawn. Her mind was at first busy with the past, filled with a
procession of the many things he had done to enrich her life. She was
troubled by the remembrance of the grave, sad courtesy of his
intercourse in the days just following his wife's death. At that time
his kindly supervision of her music and his suggestions for her reading
had given him dignity and romantic charm. "He was nice then," she said
to herself. "If only he had stopped there." When he fell at her feet in
the attempt to rouse her pity he had been degraded in her eyes. His
whole manner towards her became that of suppliant--beseeching the
"guides" to sanction their ultimate union. She burned with shame as she
thought of her tacit acquiescence in this arrangement. "You have no
right to interfere with my--with such things," she now said to the
invisible ones. "I do not love Anthony Clarke. I don't even respect him
any longer."
Public-domain text, read in full here on John Shaqi.
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