"Well, Waltie had a little chair that he liked--a little reed rocking-chair--and my husband always kept this chair close by where he sat reading. That night I saw the chair begin to rock all by itself--and yet, some way, it didn't scare me. 'Robert, did you move Waltie's chair?' I asked. 'No,' he said. 'Why?' 'Because it rocked.' Robert threw down his book and looked at the chair. 'Viola must have moved it,' he said. 'Viola was in her own little chair on the other side of the table,' I said. 'It must have been the cat, then.' "And then, just while we both looked at it, it began to move again exactly as if Waltie were in it. It creaked, too, as it used to when he rocked." "I should have been frightened stiff," exclaimed Kate, whose eyes were beginning to widen. "Nothing that has happened since has given me such a turn. Robert jumped up and felt all about the chair, sure that Viola had tied a string to it--and still she was no child for tricks. Then Robert bent right down over the chair, and it stopped for a moment, and then slid backward under the table, just as our own boy used to do. He loved to play tent. Robert looked up at me as white as the dead. 'It is Waltie, mother; he has come back to us,' he said, and I believed it, too." In spite of herself, Kate shivered with a keen, complete comprehension of the thrilling joy and terror of that moment, but Viola sat listlessly waiting the end of her mother's explanation. Plainly, it was all a wearisome story to her. Mrs. Lambert went on: "After that he came every night, and soon the tappings began, and finally we got into communication with my father, who told us to be patient and wait and Waltie would speak to us. Then the power took hold of Viola and frightened her almost into fits." The girl visibly shuddered and her eyes fell. "How did it begin?" asked Kate, breathless with interest. "The first we noticed was that her left arm began to twitch so that she couldn't control it. Then she took to writing with her left hand, exactly like my father's hand-writing. She could write twenty different kinds of writing before she was twelve. These messages were all signed, and all said that she was to be a great medium. Then began the strangest doings. My thimbles would be stolen and hidden, vases would tumble off the mantels, chairs would rock. It was just pandemonium there some nights. They used to break things and pound on the doors; then all of a sudden these doings stopped and Viola went into deathly trances. I shall never forget that first night. We thought she was dead. We couldn't see her breathe, and her hands and feet were like ice." The girl rose, her face gray and rigid. "Don't mother, don't!" she whispered. "_They are here!_" She shook her head and cried out as if to the air: "No, no, not now! No, no!" The mother spoke. "She is being entranced. Some one has a message for you, Mrs. Rice?"