The crowd grew thicker in the galleries, cheerfully enduring an amount of
overcrowding that would have been fiercely resented in a railway
carriage. Near the entrance Mervyn Quentock was talking to a Serene
Highness, a lady who led a life of obtrusive usefulness, largely imposed
on her by a good-natured inability to say “No.” “That woman creates a
positive draught with the number of bazaars she opens,” a
frivolously-spoken ex-Cabinet Minister had once remarked. At the present
moment she was being whimsically apologetic.
“When I think of the legions of well-meaning young men and women to whom
I’ve given away prizes for proficiency in art-school curriculum, I feel
that I ought not to show my face inside a picture gallery. I always
imagine that my punishment in another world will be perpetually
sharpening pencils and cleaning palettes for unending relays of misguided
young people whom I deliberately encouraged in their artistic delusions.”
“Do you suppose we shall all get appropriate punishments in another world
for our sins in this?” asked Quentock.
“Not so much for our sins as for our indiscretions; they are the things
which do the most harm and cause the greatest trouble. I feel certain
that Christopher Columbus will undergo the endless torment of being
discovered by parties of American tourists. You see I am quite old
fashioned in my ideas about the terrors and inconveniences of the next
world. And now I must be running away; I’ve got to open a Free Library
somewhere. You know the sort of thing that happens—one unveils a bust of
Carlyle and makes a speech about Ruskin, and then people come in their
thousands and read ‘Rabid Ralph, or Should he have Bitten Her?’ Don’t
forget, please, I’m going to have the medallion with the fat cupid
sitting on a sundial. And just one thing more—perhaps I ought not to ask
you, but you have such nice kind eyes, you embolden one to make daring
requests, would you send me the recipe for those lovely
chestnut-and-chicken-liver sandwiches? I know the ingredients of course,
but it’s the proportions that make such a difference—just how much liver
to how much chestnut, and what amount of red pepper and other things.
Thank you so much. I really am going now.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account