The Uncensored Letters of a Canteen GirlMorse, Katharine Duncan
History
The Uncensored Letters of a Canteen Girl
Morse, Katharine Duncan
World War, 1914-1918 -- Personal narratives
My billet has a fine central location,—at the corner of La Grande Rue
and the national highway that runs through the town. My window overlooks
what approximates the town square, an open dusty space, bounded on the
south by the principal café, on the east by the butcher’s shop, on the
west by manure-heaps and on the north by my billet. In this square, it
appears, all the village pig-killings take place. It is incredible and
painful how many pigs of a marketable maturity a town no larger than
Abainville can produce. Arguing from the frequency of the pig-killings I
am convinced that if a census were taken Abainville would be found to
contain more pigs than people.
Further down la Grande Rue one comes to the church and the town-hall.
Upstairs in the Mairie my co-worker, Miss S., has her billet. Downstairs
is the village school and the living apartments of the schoolmaster’s
family, refugees from the invaded territory. I peeped in at the empty
schoolroom yesterday: on the wall was a large pictorial chart designed
to impress upon the infant mind the advantages of drinking beer, cider
and wine, rather than the more potent alcohols; a lesson vividly
demonstrated by a series of cuts portraying a pair of guinea pigs. The
guinea pig who indulged in cognac and kindred beverages was depicted in
successive stages of inebriation until at the end he is shown expiring
in all the horrors of delirium, while the prudent guinea pig who took
nothing stronger than _vin_, _biére et cidre_ is pictured first in a
state of mild and genial intoxication, and then the “morning after” with
all the zest of a good digestion and a clear conscience, breakfasting on
a sober cabbage leaf.
The church next door to the Mairie is remarkable for nothing except the
peculiar sound like a wheezing snore which may be heard every evening
issuing from the belfry. At first this sound was a mystery to us. I
inquired of Madame; she was blank.
“Perhaps,” I suggested remembering how in medieval lore evil spirits
were reputed to haunt church towers, “perhaps it is the devil in the
belfry.”
“But no!” cried Madame scandalized. “The devil doesn’t live in
Abainville!”
“To be sure,” I amended hastily, “the devil is a Boche! He lives at
Berlin.”
“_Mais, oui, oui, oui!_”
But now the riddle has been read. The devil in the belfry is in reality
an ancient owl, _une chouette_, who has inhabited the church tower time
out of mind.
Public-domain text, read in full here on John Shaqi.
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