The Uncensored Letters of a Canteen GirlMorse, Katharine Duncan
History
The Uncensored Letters of a Canteen Girl
Morse, Katharine Duncan
World War, 1914-1918 -- Personal narratives
The Château at Sauvoy is a fifteenth century Château, cut out of an old
picture-book, surrounded by a high wall and just about big enough for
two. One enters, oddly enough, through the kitchen which is enormous and
like a Dutch _genre_ painter’s “Interior,” with a cobble-stone floor, an
eight-foot fireplace, dried herbs and vegetables hanging from the
rafters and everywhere on the long shelves, the soft gleam of pewter and
the mellow tones of old china-ware. From the kitchen one steps into a
tiny dining-room paneled in dark carved wood with a bird-cage, empty
now, built into the wall. Beyond this is the _salon_ with a wonderful
old tapestry stretched across one of its walls and some exquisite Louis
Quinze chairs in which kings and queens might have sat.
But the best thing about the Château is the Chatelain, an old French
gentleman, eighty-nine years of age, the last of his family, who lives
all alone, except for one antique serving-woman, in this beautiful dim
old mansion, wears _sabots_, keeps bees for a living, and every day of
his life cuts from the _journal_ the little daily English lesson, pastes
it in a tiny note-book, and then his poor old eyes an inch from the
paper, cons the words over and over, reading them aloud with _such_ a
pronunciation!
“In three months,” he told us proudly, “I am going to be an American.”
He related to us how in 1870 the town was invaded by the Germans and he
taken prisoner. But the Germans were gentlemen then and treated him
humanely; he couldn’t understand what had changed them to such savage
beasts. He took us out and showed us his precious bees. We went through
the garden, a charming place with little box hedges and rose bushes and
currant bushes and gooseberries all growing together in the true French
style. Beyond we came to an open oblong of greensward edged by trees
with fifty hives ranged around it, the hives,—of all quaint
conceits—being made like little Chinese houses, each one different from
the rest, each painted red and blue, a bit shabby and worn by time, but
still gay and jaunty nevertheless. Monsieur guaranteed us that the bees
wouldn’t sting, they weren’t bad bees he said, so we consented to be led
about to each hive in turn and peered in through the little glass
windows at the bees making honey. Sad to say, this is a bad year for
sweets and instead of hundreds of pounds of honey, there will be
scarcely one to sell.
Public-domain text, read in full here on John Shaqi.
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