The Uncensored Letters of a Canteen GirlMorse, Katharine Duncan
History
The Uncensored Letters of a Canteen Girl
Morse, Katharine Duncan
World War, 1914-1918 -- Personal narratives
“I’m mighty glad,” he told me, “I was just about to go out and pick up a
chicken on the street, when you came in.”
The opera was a dream of loveliness. I felt as if I must have done
something very good indeed in some previous existence to be thus
rewarded.
Today I encountered two boys who told me how they had “done” Paris.
“We stopped at a store and bought a bunch of post cards, all the famous
buildings and everything. Then we got a taxi. After that all we’d do was
to show the chauffeur a post card and he’d drive us to it,—then we’d
show him another one, and so we kept a-goin’ until we’d seen most all of
Paris. But gee! That taxi bill was a fright!”
This afternoon, coming down the “Boulevard de Wop,” as the boys call the
Boulevard des Italiens, I paused beside a fiacre, attached to a
particularly wretched looking old nag, which was drawn up by the
sidewalk. Into it were piling merrily some eight or nine doughboys, the
cabman fairly dancing on his seat as he uttered frantic but perfectly
unheeded expostulations. Finally as the cabby appeared to be developing
apoplexy, I spoke up.
“Boys, you know that _really_ that broken-down old beast never _could_
pull all of you!”
Whereupon half of them immediately piled out again. One of the remaining
ones leaned out of the fiacre.
“Say Lady, can you talk French?” he demanded earnestly.
“Why a little.”
“Well tell that old guy for me, will you,” he indicated the still
disgruntled _cocher_ who, like the rest of his tribe, was crowned with
an ornamental “stove-pipe,” “that I want him to lend me his hat.”
Tonight I met a girl I know who is in the Hut Equipment Department. She
has just returned from an extended tour of inspection. I told her I
didn’t know where my next assignment was to be.
“Why don’t you go to Verdun?” she asked. “The conditions about there are
worse than any other place in France. Men are commiting suicide there
every day.”
So I wrote a note to the Office asking that I be sent to Verdun.
Bar-le-Duc, February 16.
Somewhere here in Bar-le-Duc there is an extraordinary thing. It is the
Mausoleum of René of Chalons, prince of Orange, and designed in
accordance with his wishes. Against an ermine mantle, under a rich
armorial crest, stands a skeleton or rather the rotting carcass of a
man, half bone and half disintegrating tissue, holding aloft in one
ghastly hand, his heart, an offering, so the story goes, to his lady
wife.
Every time I am in Bar-le-Duc, even if it is only an hour between
trains, I go hunting for that skeleton; but the nearest I have come so
far, is to find it on a picture post card. Once I thought I had surely
run it to earth when I came upon a strange old church built so as to
bridge a narrow moat-like canal, and so low that it seemed as if the
water must ooze up through the stone slabs of the floor, but no.
Public-domain text, read in full here on John Shaqi.
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