The Uncensored Letters of a Canteen GirlMorse, Katharine Duncan
History
The Uncensored Letters of a Canteen Girl
Morse, Katharine Duncan
World War, 1914-1918 -- Personal narratives
Last night I resisted a great temptation. This place is full of doors
with little glass panes in them. As I lay awake in bed in the middle of
the night, a wild desire grew on me to seize my big green bottle of
mineral water by the neck and see how many panes of glass I could
account for before they nabbed me. I had a perfect vision of myself,
flying down the hall in my little flour-sack chemise of a night-gown,
long legs stretching out beneath, going zip, bang, right and left into
those window panes. I have seldom wanted to do anything quite so badly.
And then just to top off with I was going to wring the interne’s neck.
He is a little shrimp of a man—that interne, with no chin and a sort of
scrawny picked-chicken neck, a neck that gets on one’s nerves.
When they sent me to this hospital I comforted myself with the thought
that I would at least learn a little French while staying here, but the
only thing I have learned so far is that _gargariser_ means gargle and
any goose might have guessed that.
* * * * *
January 28. The Chief has sent me a rose-pink cyclamen. It is a lovely
thing and very elaborately done up with pink crêpe paper and a large bow
of shell-pink ribbon. Now I am no longer an object of any interest.
Every last doctor, nurse, interne and _infirmière_ who comes into my
room to take a look at _la petite Mees_, immediately turns his or her
back on me and admires the cyclamen instead. I gather such objects are
rare in French hospitals, for they examine and discuss it at the
greatest length, always winding up with the remark that it must have
“cost very dear.”
Not having anything else to do I lie with my eyes shut and think. And of
course I have been thinking chiefly about Company A. I have thought
among other things of a play, or rather a dramatic charade in three
acts, which we might give in the hut. It is to be entitled _Slum_. In
the first act,—_Bill_— three doughboys hit on a plan to encompass the
Kaiser’s death and so become rich by gaining the proffered reward:—they
will send him a dish of slum! The second act,—_et_—shows a room in the
Potsdam palace with Kaiser Bill and His Side Whiskers, the Lord High
Chancellor, discussing the food situation. The slum appears; the Kaiser
partakes of it and falls writhing to the floor. The last act shows a
typical barn-loft billet, with rats squeaking, chickens clucking et
cetera, where the Soldiers Three of the first act have their lodging.
They receive the tidings of the Kaiser’s death; wild rejoicings ensue,
as in fancy they spend their fortunes; only to be cut short by the
discovery that the cook who made the slum has already claimed the
reward. I think we can stage it successfully, though the costumes for
the Kaiser and His Side Whiskers present some difficulties. One thing
only troubles me; will it hurt the Mess Sergeant’s feelings?
* * * * *
Public-domain text, read in full here on John Shaqi.
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