The Uncensored Letters of a Canteen GirlMorse, Katharine Duncan
History
The Uncensored Letters of a Canteen Girl
Morse, Katharine Duncan
World War, 1914-1918 -- Personal narratives
January 30. They have relented. They have shortened my stay. I am to be
let out tomorrow, but I must _reposer_ a few days before going back to
work. Bother! I haven’t heard anything from Bourmont for ten days and I
am full of uneasy apprehensions. Since I have been in the hospital the
cyclamen has been the only word I have had from the outside world. I
have been cut off as completely as if I were in a tomb. Ah well, some
day I’ll get back to the hut again I suppose, and when I do, if those
boys aren’t almost half as glad to see me as I am to see them, why I’ll
know that some other canteen lady has been surreptitiously stealing
their affections, and I shall put poison in her soup.
Hôpital Claude-Bernard
Paris, January 31.
I have been in a big air raid; this is just how it all happened:
It was a white night in the hospital for me. I had lain for hours, it
seemed, in the little blue room watching through the glass panes of my
door the coiffed head of a young _infirmière_ bent over her embroidery.
She sat outside my door because there was a light in the hall just
there. Suddenly my drowsy ears were pierced by a long weird hoot. In an
instant the girl had leaped to her feet and switched off the light, then
she turned and ran down the hall. A moment later and the building was in
darkness. I jumped from my bed and ran to the window. The light in front
of the munitions factory was out, there seemed an uncanny silence, the
machinery had been stopped. I hurried to the door. The corridor was full
of hastening forms, _infirmières_, their loose white robes showing dimly
in the grey light.
“_Qu’est ce qui arrive?_” I demanded.
“_Les Boches!_”
The night nurse was peering from my window.
“It’s the first warning,” she whispered. “See! the lights of Paris still
shine.”
But even as we looked, the light across the sky that was Paris
flickered, dimmed, flashed out. At the same moment two great golden
stars rose over the munitions factory.
“_Les avions!_” cried the night nurse.
And all the time the sirens kept up their ghostly wailing, like nothing
one could imagine except a vast host of lost souls. Then the guns began.
A moment later a crashing thud told that a bomb had fallen in our
neighborhood. The night nurse drew me hurriedly into the hall.
“Lie down against the wall,—close—like this,” she ordered.
Up and down the corridor every space by the wall was occupied by the
huddled form of an _infirmière_ buried beneath a mattress. The night
nurse, who had a whole heap of mattresses to herself, pushed one across
to me. I lay on the top, finding it more comfortable that way.
Public-domain text, read in full here on John Shaqi.
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