The Uncensored Letters of a Canteen GirlMorse, Katharine Duncan
History
The Uncensored Letters of a Canteen Girl
Morse, Katharine Duncan
World War, 1914-1918 -- Personal narratives
He went on to tell us. French freight trains have no brakemen and the
conductor rides in a caboose directly behind the coal car. Trains
pulling into town from the north hit a grade curve close to the camp, up
which they must pull very slowly. The camp guard kept a lookout; when a
freight train with flat cars was sighted, word was immediately passed to
the mess sergeant who with a number of K. P.s hurried to the tracks and
boarded the slow-moving train; if the cars proved to hold anything of
value for the mess,—be it coal or cabbages,—all the way up the grade the
sergeant and his assistants were busy, hastily throwing or shoveling
what they could over the sides of the cars. At the top of the grade they
would jump off and returning along the tracks, gather up the spoils.
Tomorrow the Motor Transport girl departs and I “take over” the canteen.
Gondrecourt, May 4.
The Artillery School consists of some few hundred officers and non-coms
enrolled for each four-weeks’ course, in addition to the two batteries
who are here for demonstration work; Battery D from a regiment of “75s”
and Battery A from a regiment of the big “155s.” Selected for this
exhibition work on account of their exceptional ability, they are, I
suppose, the equal of any batteries in the world. When the boys enlisted
these batteries were declared to be about to be “motorized,” but at
present the motor power is being supplied by a particularly unresponsive
set of French cart horses, whose daily care is the greatest trial of the
boys’ lives. Last night we had a movie-show; one reel gave the story of
a discontented boy on the farm—showing him at one moment disgustedly
grooming Dobbin. For a full minute it seemed as if the roof of the hut
was going to be lifted right off.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account