The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
With these instruments the Kaffir smith can cast brass into various
ornaments. Sometimes he pours it into a cylindrical mould, so as to
make a bar from which bracelets and similar ornaments can be hammered,
and sometimes he makes studs and knobs by forming their shapes in clay
moulds.
In the illustration No. 2, on page 97, a native forge is seen in full
operation. The chief smith is at the left of the engraving, seated at
the bellows and blowing the fire, in which is placed an iron rod which
is going to be forged into an assagai head. The manner in which the
horn tubes of the bellows are fastened to the ground--a stick being
laid across each horn, and a heavy stone upon each stick--is well
shown. At the right hand of the smith is a basket containing charcoal,
and another is seen near the assistant. On the opposite side sits the
assistant or apprentice blacksmith, busily hammering with a conical
stone at the spear head which is being forged, and at his side lie one
or two finished heads. Behind them, another smith is hard at work with
a huge stone with which he is crushing the ore. On the right hand of
the illustration is seen the reed fence which is erected in order to
keep off the wind, and in the middle distance is the kraal to which
the smiths belong. The reed fence is supported by being lashed to a
mimosa. Some jars of beer stand within the shadow of the fence for the
occasional refreshment of the blacksmiths.
How the blacksmith contrives to work without burning his right hand
is rather unintelligible. I have handled the conical hammer, and find
that the hand is brought so close to the iron that, when it is heated
to a glowing redness, the effect upon the fingers must be singularly
unpleasant, not to mention the sparks that fly about so liberally
when heated iron is struck. Sometimes, when a native is making small
objects, he takes a tolerably large hammer, reverses it, and drives
the small end deeply into the ground. The face of the hammer is then
uppermost, and answers as an anvil, on which he works with a hammer of
smaller size.
Public-domain text, read in full here on John Shaqi.
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