The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
As far as can be judged by the present state of the blacksmith’s art in
Kaffirland, the natives have not derived the profit from Le Vaillant’s
instructions which he so ingenuously predicted. In all probability, the
bellows in question would be confiscated by the chief of the tribe, who
would destroy their working powers in endeavoring to make out their
action. Moreover, the Kaffir is eminently conservative in his notions,
and he would rather prefer the old sheepskin, which only required to be
tied at the legs and neck with thongs, to the comparatively elaborate
instrument of the white traveller, which needed the use of wooden
hoops, nails, saw, hammer, and the other tools of the civilized workman.
The Kaffir smiths have long known the art of wire drawing, though
their plates are very rude, the metal comparatively soft, and the
wire in consequence irregularly drawn. Moreover, they cannot make
wire of iron, but are obliged to content themselves with the softer
metals, such as brass and copper. Mr. Moffat, the African missionary,
relates an amusing anecdote of an interview with a native metal
worker. As a missionary ought to do, he had a practical knowledge of
the blacksmith’s art, and so became on friendly terms with his dark
brother of the forge; and after winning his heart by making him a new
wire drawing plate, made of steel, and pierced for wires of twenty
variations in thickness, induced him to exhibit the whole of his mystic
process.
His first proceeding was to prepare four moulds, very simply made by
building a little heap of dry sand, and pushing into it a little stick
about a quarter of an inch in diameter. He then built and lighted a
charcoal fire, such as has already been described, and he next placed
in a kind of rude clay crucible some copper and a little tin. A
vigorous manipulation of the bellows fused the copper and tin together,
and he then took out the crucible with a rude kind of tongs made of
bark, and poured the contents into the holes, thus making a number of
short brass rods about a quarter of an inch in diameter and three or
four inches in length. These rods were next removed from the moulds and
hammered with a stone until they were reduced to half their diameter.
During this operation, the rods were frequently heated in the flame of
burning grass.
Public-domain text, read in full here on John Shaqi.
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