The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 1 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
“The bush is, therefore, from its impassable character, the Kaffir’s
never-failing place of refuge, both in peace and war. In his naked
hardihood, he either, snake-like, twines through and creeps beneath its
densest masses, or, shielded with the kaross, securely defies their
most thorny and abrading opposition. Under cover of the bush, in _war_,
he, panther-like, steals upon his foe; in _peace_, upon the farmer’s
flock. Secure, in both instances, from pursuit, he can in the bush set
European power, European skill, and European discipline at naught;
and hitherto, vain has been every effort to destroy by fire this, his
impregnable--for it is impregnable to all save himself--stronghold.”
After a successful hunt, such as has just been described, there are
great rejoicings, the chief of the tribe having all the slaughtered
game laid before him, and giving orders for a grand hunting dance. The
chief, who is generally too fat to care about accompanying the hunters,
takes his seat in some open space, mostly the central enclosure of
a kraal, and there, in company with a huge bowl of beer and a few
distinguished guests, awaits the arrival of the game. The animals have
hardly fallen before they are carried in triumph to the chief, and laid
before him. As each animal is placed on the ground, a little Kaffir boy
comes and lays himself over his body, remaining in this position until
the dance is over. This curious custom is adopted from an idea that it
prevents sorcerers from throwing their spells upon the game. The boys
who are employed for this purpose become greatly disfigured by the
blood of the slain animals, but they seem to think that the gory stains
are ornamental rather than the reverse.
At intervals, the hunting dance takes place, the hunters arranging
themselves in regular lines, advancing and retreating with the
precision of trained soldiers, shouting, leaping, beating their
shields, brandishing their weapons, and working themselves up to a
wonderful pitch of excitement. The leader of the dance, who faces them,
is, if possible, even more excited than the men, and leaps, stamps, and
shouts with an energy that seems to be almost maniacal. Meanwhile, the
chief sits still, and drinks his beer, and signifies occasionally his
approval of the dancers.
Public-domain text, read in full here on John Shaqi.
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