The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
They are fond of singing and music, and, as far as has been
ascertained, are in the habit of composing extempore songs, as well as
singing those ditties which they know by heart. As for their musical
instruments, they consist chiefly of the cylindrical drum, a trumpet
made of a triton shell, and a sort of Pandean pipe, composed of six or
seven reeds of different lengths lashed firmly together. There is also
a wind instrument, which is nothing but a bamboo tube some two feet in
length.
Accompanied by these instruments, they perform their curious dances,
one of which as been well described by Mr. M’Gillivray. “They advanced
and retreated together by sudden jerks, beating to quick or short time
as required, and chanting an accompanying song, the cadence rising and
falling according to the action. The attitude was a singular one--the
back straight, chin protruded, knees bent in a crouching position, and
the arms advanced.
“On another occasion, one of the same men exhibited himself before us
in a war dance. In one hand he held a large wooden shield, nearly three
feet in length, and rather more than one in width, and in the other a
formidable looking weapon, two feet in length--a portion of the snout
of the sword-fish, with long, sharp teeth projecting on each side.
Placing himself in a crouching attitude, with one hand covered by the
shield, and holding his weapon in a position to strike, he advanced
rapidly in a succession of short bounds, striking the inner side of his
shield with his left knee at each jerk, causing the large cowries hung
round his waist and ankles to rattle violently. At the same time, with
fierce gestures, he loudly chanted a song of defiance. The remainder
of the pantomime was expressive of attack and defence, and exultation
after victory.
“But a still more curious dance was once performed a few nights ago
by a party of natives who had left the ship after sunset, and landed
abreast of the anchorage. On seeing a number of lights along the beach,
we at first thought they proceeded from a fishing party, but on looking
through a night-glass the group was seen to consist of above a dozen
people, each carrying a blazing torch, and going through the movements
of the dance. At one time they extended rapidly into line, at another
closed, dividing into two parties, advancing and retreating, crossing
and recrossing, and mixing up with each other. This continued for half
an hour, and, it having apparently been got up for our amusement, a
rocket was sent up for theirs, and a blue light burned, but the dancing
had ceased, and the lights disappeared.”
Public-domain text, read in full here on John Shaqi.
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