The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
DRESS AND ORNAMENTS OF THE NEW ZEALANDER -- THE TATTOO OR THE MOKO
-- ITS FORMIDABLE CHARACTER -- THE TATTOO A MARK OF FREEDOM --
THE TATTOO OF THE FACE, AND ITS DIFFERENT PORTIONS -- COST OF THE
OPERATION -- THE IMPLEMENTS, AND MODE OF USING THEM -- TIME OCCUPIED
IN COMPLETING IT -- PAYMENT OF THE OPERATOR, AND THE TATTOO SONG --
SOURCE WHENCE THE PIGMENT IS OBTAINED -- SCARLET PAINT, AND MODE
OF MAKING IT -- THE NEW ZEALAND BELT -- SYMBOLISM OF THE TATTOO --
PRESERVING THE HEADS OF WARRIORS -- THE TRAFFIC IN HEADS -- A COOL
BARGAINER.
We will now proceed to the appearance and dress of the natives of New
Zealand, or Maories, as they term themselves. As the most conspicuous
part of the New Zealander’s adornment is the tattooing with which the
face and some other portions of the body are decorated, we will begin
our account with a description of the moko, as it is called by the
natives.
There are many parts of the world where the tattoo is employed, but in
none is it of so formidable a description as among the New Zealanders.
As the reader is probably aware, the tattoo consists of patterns made
by introducing certain coloring matters under the skin; charcoal,
variously prepared, being the usual material for the purpose. We have
already seen among the Kaffirs examples of ornamenting the skin by
cutting it deeply so as to form scars, and in Australia a similar but
more cruel custom prevails. In neither of these countries, however, is
there any attempt at producing an artistic effect, while in New Zealand
beauty of design is the very object of the tattoo.
There is a distinction between the tattoo of the New Zealanders and the
Polynesians; that of the latter people being formed by rows of little
dots, and that of the former by lines cut completely through the skin.
On account of this distinction, though a New Zealander and a Polynesian
be covered from head to foot with tattoo marks, there is no possibility
of mistaking the one for the other.
The moko of the New Zealander is a mark of rank, none but slaves being
without a more or less complete tattooing of the face. In the present
day, even the chiefs have begun to discontinue the ancient custom,
chiefly owing to the exertions of the missionaries, who objected
to the practice as a mark of heathendom. Consequently, several of
the most powerful convert chiefs present a very curious, not to say
ludicrous, aspect, which can hardly have a good effect in recommending
Christianity to the people. Having been converted before the moko was
completed, and being unwilling to continue the process and unable to
obliterate those portions which were already drawn, they appear with
one half of their faces tattooed and the other half plain, or perhaps
with a solitary ring round one eye, and a couple of curves round one
side of the mouth.
Public-domain text, read in full here on John Shaqi.
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