The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
There are certainly two noise-producing instruments, which have no
right to be honored with the title of musical instruments. These are
the war bell and the war trumpet.
The former is called the war bell in default of a better word. It
consists of a block of hard wood about six feet long and two thick,
with a deep groove in the centre. This “bell” is suspended horizontally
by cords, and struck by a man who squats on a scaffold under it. With
a stick made of heavy wood he delivers slow and regular strokes in the
groove, the effect being to produce a most melancholy sound, dully
booming in the stillness of the night. The war bell is never sounded by
day, the object being to tell the people inside the pah, or village,
that the sentinel is awake, and to tell any approaching enemy that it
would be useless for him to attempt an attack by surprise. Its native
name is Pahu.
The war trumpet is called Putara-putara. It is a most unwieldly
instrument, at least seven feet in length. It is hollowed out of a
suitably-shaped piece of hard wood, and an expanding mouth is given
to it by means of several pieces of wood lashed together with flaxen
fibre, and fitted to each other like the staves of a cask. Toward the
mouth-piece it is covered with the grotesque carvings of which the New
Zealanders are so fond. It is only used on occasions of alarm, when
it is laid over the fence of the pah, and sounded by a strong-lunged
native. The note which the trumpet produces is a loud roaring sound,
which, as the natives aver, can be heard, on a calm night, the distance
of several miles. In fact, the sound appears to be very much the same
as that which is produced by the celebrated Blowing Stone of Wiltshire.
In some places a smaller trumpet is used in time of war. The body of
this trumpet is always made of a large shell, generally that of a
triton, and the mode of blowing it differs according to the locality.
The simplest kind of shell-trumpet is that which is in use throughout
the whole of the Pacific Islands. It is made by taking a large empty
shell, and boring a round hole on one side near the point. The shell
is blown like a flute, being placed horizontally to the lips, and the
air directed across the aperture. In fact, it exactly resembles in
principle the horn and ivory trumpets of Africa, which are shown on a
preceding page.
There is, however, in the British Museum a much more elaborate form of
trumpet, which is blown with a mouth-piece. In this case the point of
the shell has been removed and a wooden mouth-piece substituted for it,
so that it is blown at the end, like trumpets in our own country.
The dances of the New Zealander are almost entirely connected with war
and will therefore be mentioned when we come to treat of that subject.
Public-domain text, read in full here on John Shaqi.
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