The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristicsWood, J. G. (John George)
History
The uncivilized races of men in all countries of the world; vol. 2 of 2: Being a comprehensive account of their manners and customs, and of their physical, social, mental, moral and religious characteristics
Wood, J. G. (John George)
Anthropology; Ethnology; Manners and customs
“After she had, as I imagined, satisfied herself with seeing the
representation of her brother, I was about to replace the sketch in
my portfolio, when she begged of Forsaith that she might be permitted
to tangi over it in good earnest, saying, ‘It was her brother--her
brother; and she must TANGI till the tears come.’ And sure enough,
presently the tears did come, and the old woman wept and moaned, and
waved her hands before the picture, with as much apparent feeling as
if her brother himself had thus suddenly appeared to her. I could not
prevail upon the old creature to desist, and was at length compelled
to leave the portrait in Forsaith’s care, whilst I was employed in
sketching elsewhere. In future I shall be more cautious how I show my
sketches to the old women, finding that they are liable to produce such
melancholy results.”
Mr. A. Christie, to whom I am indebted for much information about
the country, told me an anecdote of a tangi performed in England by
a party of Maories who had visited this country. They were about to
bid farewell to one of their friends, and visited his house for that
purpose, desiring to be allowed to perform the tangi.
Knowing their customs, their host took them into an empty room,
previously cautioning his family not to be surprised at the ceremony.
The whole party then sat down on the floor, and raised a most dismal
howl, wailing, waving their hands, shedding floods of tears, and, in
fact, enjoying themselves in their own queer way. The tangi being over,
they all became lively and chatty, and finally took leave after the
undemonstrative English fashion.
To a stranger the performance of the tangi is very amusing for the
first few times of witnessing it; but he soon becomes tired of it, and
at last looks upon it as an unmitigated nuisance, wasting time, and
subjecting him to a series of doleful howls from which he has no mode
of escape. Mr. Angas describes a tangi to which he was subjected.
“At sunset we reached a small fortified port, on the summit of a hill
overlooking the lake. There were but few natives residing in it, to
whom the sight of a pakeha (white man) was indeed astonishing; and,
after the salutation of welcome, they commenced a tangi at my guides
and myself.
“The man who introduced us uttered a faint sound in his throat, like
that of a person crying at a distance, and continued to look mournfully
on the ground. The welcome of the men was voluble and loud: they howled
dismally, and their tears fell fast for some time.
Public-domain text, read in full here on John Shaqi.
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