England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
The touch, the voice, the smile,--how all his sophistry was swept away
in a rush of tenderness and delight!
"I must wait for the end of it," he returned, holding out his hand,
which she did not take.
"The end?--Oh, you must invent one. Ends in real life are so
commonplace and uninteresting."
"Commonplace or not," said Waymark, with some lack of firmness in his
voice, "the end of your story should not be an unhappy one, if I had
the disposing of it. And I might have--but for one thing."
"What's that?" she asked, with sudden interest.
"My miserable poverty. If I only had money--money"--
"Money!" she exclaimed, turning away almost angrily. Then she added,
with the coldness which she did not often use, but which, when she did,
chilled and checked him--"I don't understand you."
He pointed with a bitter smile down to the sands.
"Look at that gold of the sunset in the pools the tide has left. It is
the most glorious colour in nature, but it makes me miserable by
reminding me of the metal it takes its name from."
She looked at him with eyes which had in them a strange wonder, sad at
first, then full of scorn, of indignation. And then she laughed,
drawing herself away from him. The laugh irritated him. He experienced
a terrible revulsion of feeling, from the warmth and passion which had
possessed him, to that humiliation, which he could not bear.
And just now a number of people came and took their stands close by, in
a gossiping group. Ida had half turned away, and was looking at the
golden pools. He tried to say something, but his tongue was dry, and
the word would not come. Presently, she faced him again, and said, in
very much her ordinary tone--
"I was going to tell you that I have just had news from London, which
makes it necessary for me to go back to-morrow. I shall have to take an
early train."
"This is because I have offended you," Waymark said, moving nearer to
her. "You had no thought of going before that."
"I am not surprised that you refuse to believe me," returned Ida,
smiling very faintly. "Still, it is the truth. And now I must go in
again;--I am very tired."
"No," he exclaimed as she moved away, "you must not go in till--till
you have forgotten me. At least come away to a quiet place, where I can
speak freely to you; these people--"
"To-morrow morning," she said, waving her hand wearily. "I can't talk
now--and indeed there is no need to speak of this at all. I have
forgotten it."
"No, you have not; how could you?--And you will not go to-morrow; you
shall not."
"Yes, I must," she returned firmly.
"Then I shall go with you."
"As you like. I shall leave by the express at five minutes past nine."
"Then I shall be at the station. But at least I may walk home with you?"
"No, please. If you wish me to think you are sincere,--if you wish us
still to be friends--stay till I have left the pier.--Good night."
He muttered a return, and stood watching her as she walked quietly away.
Public-domain text, read in full here on John Shaqi.
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