The Uncollected Writings of Thomas de Quincey—Vol. 1: With a Preface and Annotations by James HoggDe Quincey, Thomas
General
The Uncollected Writings of Thomas de Quincey—Vol. 1: With a Preface and Annotations by James Hogg
De Quincey, Thomas
English literature
feeling of a 'specular height,' such as you might expect on Ararat, or
might appropriately conceive on 'Athos seen from Samothrace.' The
whole course of a noble lake, about eleven miles long, lies subject to
your view, with many of its islands, and its two opposite shores so
different in character--the one stern, precipitous, and gloomy; the
other (and luckily the hither one) by the mere bounty of nature and of
accident--by the happy disposition of the ground originally, and by
the fortunate equilibrium between the sylvan tracts, meandering
irregularly through the whole district, and the proportion left to
verdant fields and meadows,--wearing the character of the richest park
scenery; except indeed that this character is here and there a little
modified by a quiet hedge-row or the stealing smoke which betrays the
embowered cottage of a labourer. But the sublime, peculiar, and
not-to-be-forgotten feature of the scene is the great system of
mountains which unite about five miles off at the head of the lake to
lock in and inclose this noble landscape. The several ranges of
mountains which stand at various distances within six or seven miles
of the little town of Ambleside, all separately various in their forms
and all eminently picturesque, when seen from Elleray appear to blend
and group as parts of one connected whole; and when their usual
drapery of clouds happens to take a fortunate arrangement, and the
sunlights are properly broken and thrown from the most suitable
quarter of the heavens,--I cannot recollect any spectacle in England
or Wales, of the many hundreds I have seen, bearing a local, if not a
national reputation for magnificence of prospect, which so much
dilates the heart with a sense of power and aerial sublimity as this
terrace view from Elleray. It is possible that I may have stood on
other mountain terraces commanding as ample a view and as happily
combined; but the difference of effect must always be immense between
a spectacle to which you ascend by half a day's labour, and that upon
which you are launched in a second of time from the breakfast table.
It is of great importance, for the enjoyment of any natural scene, to
be liberated from the necessity of viewing it under circumstances of
haste and anxiety, to have it in one's power to surrender oneself
passively and tranquilly to the influences of the objects as they
gradually reveal themselves, and to be under no summons to crowd one's
whole visual energy and task of examination within a single quarter of
an hour. Having seen Elleray at all times under these favourable
circumstances, it is certainly not impossible that I may unconsciously
have overrated in some degree its pretensions in comparison with some
rival scenes. I may have committed the common error of attributing to
the _objects_ the whole sum of an impression which in part belonged to
the _subjective_ advantages of the contemplator and the benefits of
his station.
Public-domain text, read in full here on John Shaqi.
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