The Uncollected Writings of Thomas de Quincey, Vol. 2: With a Preface and Annotations by James HoggDe Quincey, Thomas
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The Uncollected Writings of Thomas de Quincey, Vol. 2: With a Preface and Annotations by James Hogg
De Quincey, Thomas
English literature
the healing hand of time, and this also faded from the public mind. People
remembered also that he was a brother, and in that character, at any rate,
had a right to some allowances for his intemperance; and what quickened the
oblivion of the affair was, which in itself was sufficiently strange, that
Barratt did not revive the case in the public mind by seeking legal
reparation for his injuries. It was, however, still matter of regret that
Pierpoint should have indulged himself in this movement of passion, since
undoubtedly it broke and disturbed the else uniform stream of public
indignation by investing the original aggressor with something like the
character of an injured person; and therefore with some set-off to plead
against his own wantonness of malice: his malice might now assume the nobler
aspect of revenge.
Thus far, in reporting the circumstances, Hannah had dallied--thus far I
had rejoiced that she dallied, with the main burden of the wo; but now
there remained nothing to dally with any longer--and she rushed along in
her narrative, hurrying to tell--I hurrying to hear. A second, a third
examination had ensued, then a final committal--all this within a week.
By that time all the world was agitated with the case; literally not the
city only, vast as that city was, but the nation was convulsed and
divided into parties upon the question, Whether the prosecution were one
of mere malice or not? The very government of the land was reported to
be equally interested, and almost equally divided in opinion. In this
state of public feeling came the trial. Image to yourself, oh reader,
whosoever you are, the intensity of the excitement which by that time
had arisen in all people to be spectators of the scene--then image to
yourself the effect of all this, a perfect consciousness that in herself
as a centre was settled the whole mighty interest of the
exhibition--that interest again of so dubious and mixed a
character--sympathy in some with mere misfortune--sympathy in others
with female frailty and guilt, not perhaps founded upon an absolute
unwavering belief in her innocence even amongst those who were most loud
and positive as partisans in affirming it,--and then remember that all
this hideous scenical display and notoriety settled upon one whose very
nature, constitutionally timid, recoiled with the triple agony of
womanly shame--of matronly dignity--of insulted innocence, from every
mode and shape of public display. Combine all these circumstances and
elements of the case, and you may faintly enter into the situation of my
poor Agnes. Perhaps the best way to express it at once is by recurring
to the case of a young female Christian martyr, in the early ages of
Christianity, exposed in the bloody amphitheatre of Rome or Verona to
'fight with wild beasts,' as it was expressed in mockery--she to fight!
the lamb to fight with lions! But in reality the young martyr _had_ a
fight to maintain, and a fight (in contempt of that cruel mockery)
Public-domain text, read in full here on John Shaqi.
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