Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
ladies to sing the ballad ‘Comin’ through the Rye’ without prefacing it
himself, with some general remarks on wheat and clover; and even then, he
dared not for his life call the song, a song, but disguised it in the
bill as an ‘Illustration.’ In the library, also—fitted with shelves for
three thousand books, and containing upwards of one hundred and seventy
(presented copies mostly), seething their edges in damp plaster—there was
such a painfully apologetic return of 62 offenders who had read Travels,
Popular Biography, and mere Fiction descriptive of the aspirations of the
hearts and souls of mere human creatures like themselves; and such an
elaborate parade of 2 bright examples who had had down Euclid after the
day’s occupation and confinement; and 3 who had had down Metaphysics
after ditto; and I who had had down Theology after ditto; and 4 who had
worried Grammar, Political Economy, Botany, and Logarithms all at once
after ditto; that I suspected the boasted class to be one man, who had
been hired to do it.
Emerging from the Mechanics’ Institution and continuing my walk about the
town, I still noticed everywhere the prevalence, to an extraordinary
degree, of this custom of putting the natural demand for amusement out of
sight, as some untidy housekeepers put dust, and pretending that it was
swept away. And yet it was ministered to, in a dull and abortive manner,
by all who made this feint. Looking in at what is called in Dullborough
‘the serious bookseller’s,’ where, in my childhood, I had studied the
faces of numbers of gentlemen depicted in rostrums with a gaslight on
each side of them, and casting my eyes over the open pages of certain
printed discourses there, I found a vast deal of aiming at jocosity and
dramatic effect, even in them—yes, verily, even on the part of one very
wrathful expounder who bitterly anathematised a poor little Circus.
Similarly, in the reading provided for the young people enrolled in the
Lasso of Love, and other excellent unions, I found the writers generally
under a distressing sense that they must start (at all events) like
story-tellers, and delude the young persons into the belief that they
were going to be interesting. As I looked in at this window for twenty
minutes by the clock, I am in a position to offer a friendly
remonstrance—not bearing on this particular point—to the designers and
engravers of the pictures in those publications. Have they considered
the awful consequences likely to flow from their representations of
Virtue? Have they asked themselves the question, whether the terrific
prospect of acquiring that fearful chubbiness of head, unwieldiness of
arm, feeble dislocation of leg, crispiness of hair, and enormity of
shirt-collar, which they represent as inseparable from Goodness, may not
tend to confirm sensitive waverers, in Evil? A most impressive example
(if I had believed it) of what a Dustman and a Sailor may come to, when
Public-domain text, read in full here on John Shaqi.
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