stare disconsolately for next season out of all the windows. The very man who goes about like an erect Turtle, between two boards recommendatory of the Sixteen Shilling Trousers, is aware of himself as a hollow mockery, and eats filberts while he leans his hinder shell against a wall. Among these tranquillising objects, it is my delight to walk and meditate. Soothed by the repose around me, I wander insensibly to considerable distances, and guide myself back by the stars. Thus, I enjoy the contrast of a few still partially inhabited and busy spots where all the lights are not fled, where all the garlands are not dead, whence all but I have not departed. Then, does it appear to me that in this age three things are clamorously required of Man in the miscellaneous thoroughfares of the metropolis. Firstly, that he have his boots cleaned. Secondly, that he eat a penny ice. Thirdly, that he get himself photographed. Then do I speculate, What have those seam-worn artists been who stand at the photograph doors in Greek caps, sample in hand, and mysteriously salute the public—the female public with a pressing tenderness—to come in and be ‘took’? What did they do with their greasy blandishments, before the era of cheap photography? Of what class were their previous victims, and how victimised? And how did they get, and how did they pay for, that large collection of likenesses, all purporting to have been taken inside, with the taking of none of which had that establishment any more to do than with the taking of Delhi?