I gave a commission to ‘him,’ and I have been inquiring about him. I have carried the commission about Italy several months. Before I left England, there came to me one night a certain generous and gentle English nobleman (he is dead in these days when I relate the story, and exiles have lost their best British friend), with this request: ‘Whenever you come to such a town, will you seek out one Giovanni Carlavero, who keeps a little wine-shop there, mention my name to him suddenly, and observe how it affects him?’ I accepted the trust, and am on my way to discharge it. The sirocco has been blowing all day, and it is a hot unwholesome evening with no cool sea-breeze. Mosquitoes and fire-flies are lively enough, but most other creatures are faint. The coquettish airs of pretty young women in the tiniest and wickedest of dolls’ straw hats, who lean out at opened lattice blinds, are almost the only airs stirring. Very ugly and haggard old women with distaffs, and with a grey tow upon them that looks as if they were spinning out their own hair (I suppose they were once pretty, too, but it is very difficult to believe so), sit on the footway leaning against house walls. Everybody who has come for water to the fountain, stays there, and seems incapable of any such energetic idea as going home. Vespers are over, though not so long but that I can smell the heavy resinous incense as I pass the church. No man seems to be at work, save the coppersmith. In an Italian town he is always at work, and always thumping in the deadliest manner. I keep straight on, and come in due time to the first on the right: a narrow dull street, where I see a well-favoured man of good stature and military bearing, in a great cloak, standing at a door. Drawing nearer to this threshold, I see it is the threshold of a small wine-shop; and I can just make out, in the dim light, the inscription that it is kept by Giovanni Carlavero. I touch my hat to the figure in the cloak, and pass in, and draw a stool to a little table. The lamp (just such another as they dig out of Pompeii) is lighted, but the place is empty. The figure in the cloak has followed me in, and stands before me. ‘The master?’ ‘At your service, sir.’ ‘Please to give me a glass of the wine of the country.’ He turns to a little counter, to get it. As his striking face is pale, and his action is evidently that of an enfeebled man, I remark that I fear he has been ill. It is not much, he courteously and gravely answers, though bad while it lasts: the fever. As he sets the wine on the little table, to his manifest surprise I lay my hand on the back of his, look him in the face, and say in a low voice: ‘I am an Englishman, and you are acquainted with a friend of mine. Do you recollect—?’ and I mentioned the name of my generous countryman. Instantly, he utters a loud cry, bursts into tears, and falls on his knees at my feet, clasping my legs in both his arms and bowing his head to the ground.