Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
But such instances, or any tokens of vitality, are rare indeed in my City
churchyards. A few sparrows occasionally try to raise a lively chirrup
in their solitary tree—perhaps, as taking a different view of worms from
that entertained by humanity—but they are flat and hoarse of voice, like
the clerk, the organ, the bell, the clergyman, and all the rest of the
Church-works when they are wound up for Sunday. Caged larks, thrushes,
or blackbirds, hanging in neighbouring courts, pour forth their strains
passionately, as scenting the tree, trying to break out, and see leaves
again before they die, but their song is Willow, Willow—of a churchyard
cast. So little light lives inside the churches of my churchyards, when
the two are co-existent, that it is often only by an accident and after
long acquaintance that I discover their having stained glass in some odd
window. The westering sun slants into the churchyard by some unwonted
entry, a few prismatic tears drop on an old tombstone, and a window that
I thought was only dirty, is for the moment all bejewelled. Then the
light passes and the colours die. Though even then, if there be room
enough for me to fall back so far as that I can gaze up to the top of the
Church Tower, I see the rusty vane new burnished, and seeming to look out
with a joyful flash over the sea of smoke at the distant shore of
country.
Blinking old men who are let out of workhouses by the hour, have a
tendency to sit on bits of coping stone in these churchyards, leaning
with both hands on their sticks and asthmatically gasping. The more
depressed class of beggars too, bring hither broken meats, and munch. I
am on nodding terms with a meditative turncock who lingers in one of
them, and whom I suspect of a turn for poetry; the rather, as he looks
out of temper when he gives the fire-plug a disparaging wrench with that
large tuning-fork of his which would wear out the shoulder of his coat,
but for a precautionary piece of inlaid leather. Fire-ladders, which I
am satisfied nobody knows anything about, and the keys of which were lost
in ancient times, moulder away in the larger churchyards, under eaves
like wooden eyebrows; and so removed are those corners from the haunts of
men and boys, that once on a fifth of November I found a ‘Guy’ trusted to
take care of himself there, while his proprietors had gone to dinner. Of
the expression of his face I cannot report, because it was turned to the
wall; but his shrugged shoulders and his ten extended fingers, appeared
to denote that he had moralised in his little straw chair on the mystery
of mortality until he gave it up as a bad job.
Public-domain text, read in full here on John Shaqi.
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