Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
Passing from this wonderful sight to the Ships again—for my heart, as to
the Yard, is where the ships are—I notice certain unfinished wooden walls
left seasoning on the stocks, pending the solution of the merits of the
wood and iron question, and having an air of biding their time with surly
confidence. The names of these worthies are set up beside them, together
with their capacity in guns—a custom highly conducive to ease and
satisfaction in social intercourse, if it could be adapted to mankind.
By a plank more gracefully pendulous than substantial, I make bold to go
aboard a transport ship (iron screw) just sent in from the contractor’s
yard to be inspected and passed. She is a very gratifying experience, in
the simplicity and humanity of her arrangements for troops, in her
provision for light and air and cleanliness, and in her care for women
and children. It occurs to me, as I explore her, that I would require a
handsome sum of money to go aboard her, at midnight by the Dockyard bell,
and stay aboard alone till morning; for surely she must be haunted by a
crowd of ghosts of obstinate old martinets, mournfully flapping their
cherubic epaulettes over the changed times. Though still we may learn
from the astounding ways and means in our Yards now, more highly than
ever to respect the forefathers who got to sea, and fought the sea, and
held the sea, without them. This remembrance putting me in the best of
tempers with an old hulk, very green as to her copper, and generally dim
and patched, I pull off my hat to her. Which salutation a callow and
downy-faced young officer of Engineers, going by at the moment,
perceiving, appropriates—and to which he is most heartily welcome, I am
sure.
Having been torn to pieces (in imagination) by the steam circular saws,
perpendicular saws, horizontal saws, and saws of eccentric action, I come
to the sauntering part of my expedition, and consequently to the core of
my Uncommercial pursuits.
Public-domain text, read in full here on John Shaqi.
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