Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
What part in my decision was borne by Monsieur P. Salcy, is of no moment,
though I own to encountering that gentleman’s name on a red bill on the
wall, before I made up my mind. Monsieur P. Salcy, ‘par permission de M.
le Maire,’ had established his theatre in the whitewashed Hôtel de Ville,
on the steps of which illustrious edifice I stood. And Monsieur P.
Salcy, privileged director of such theatre, situate in ‘the first
theatrical arrondissement of the department of the North,’ invited
French-Flemish mankind to come and partake of the intellectual banquet
provided by his family of dramatic artists, fifteen subjects in number.
‘La Famille P. SALCY, composée d’artistes dramatiques, au nombre de 15
sujets.’
Neither a bold nor a diversified country, I say again, and withal an
untidy country, but pleasant enough to ride in, when the paved roads over
the flats and through the hollows, are not too deep in black mud. A
country so sparely inhabited, that I wonder where the peasants who till
and sow and reap the ground, can possibly dwell, and also by what
invisible balloons they are conveyed from their distant homes into the
fields at sunrise and back again at sunset. The occasional few poor
cottages and farms in this region, surely cannot afford shelter to the
numbers necessary to the cultivation, albeit the work is done so very
deliberately, that on one long harvest day I have seen, in twelve miles,
about twice as many men and women (all told) reaping and binding. Yet
have I seen more cattle, more sheep, more pigs, and all in better case,
than where there is purer French spoken, and also better ricks—round
swelling peg-top ricks, well thatched; not a shapeless brown heap, like
the toast of a Giant’s toast-and-water, pinned to the earth with one of
the skewers out of his kitchen. A good custom they have about here,
likewise, of prolonging the sloping tiled roof of farm or cottage, so
that it overhangs three or four feet, carrying off the wet, and making a
good drying-place wherein to hang up herbs, or implements, or what not.
A better custom than the popular one of keeping the refuse-heap and
puddle close before the house door: which, although I paint my dwelling
never so brightly blue (and it cannot be too blue for me, hereabouts),
will bring fever inside my door. Wonderful poultry of the French-Flemish
country, why take the trouble to _be_ poultry? Why not stop short at
eggs in the rising generation, and die out and have done with it?
Parents of chickens have I seen this day, followed by their wretched
young families, scratching nothing out of the mud with an air—tottering
about on legs so scraggy and weak, that the valiant word drumsticks
becomes a mockery when applied to them, and the crow of the lord and
master has been a mere dejected case of croup. Carts have I seen, and
other agricultural instruments, unwieldy, dislocated, monstrous.
Poplar-trees by the thousand fringe the fields and fringe the end of the
Public-domain text, read in full here on John Shaqi.
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