Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
The members of the Family P. Salcy were so fat and so like one
another—fathers, mothers, sisters, brothers, uncles, and aunts—that I
think the local audience were much confused about the plot of the piece
under representation, and to the last expected that everybody must turn
out to be the long-lost relative of everybody else. The Theatre was
established on the top story of the Hôtel de Ville, and was approached by
a long bare staircase, whereon, in an airy situation, one of the P. Salcy
Family—a stout gentleman imperfectly repressed by a belt—took the money.
This occasioned the greatest excitement of the evening; for, no sooner
did the curtain rise on the introductory Vaudeville, and reveal in the
person of the young lover (singing a very short song with his eyebrows)
apparently the very same identical stout gentleman imperfectly repressed
by a belt, than everybody rushed out to the paying-place, to ascertain
whether he could possibly have put on that dress-coat, that clear
complexion, and those arched black vocal eyebrows, in so short a space of
time. It then became manifest that this was another stout gentleman
imperfectly repressed by a belt: to whom, before the spectators had
recovered their presence of mind, entered a third stout gentleman
imperfectly repressed by a belt, exactly like him. These two ‘subjects,’
making with the money-taker three of the announced fifteen, fell into
conversation touching a charming young widow: who, presently appearing,
proved to be a stout lady altogether irrepressible by any means—quite a
parallel case to the American Negro—fourth of the fifteen subjects, and
sister of the fifth who presided over the check-department. In good time
the whole of the fifteen subjects were dramatically presented, and we had
the inevitable Ma Mère, Ma Mère! and also the inevitable malédiction d’un
père, and likewise the inevitable Marquis, and also the inevitable
provincial young man, weak-minded but faithful, who followed Julie to
Paris, and cried and laughed and choked all at once. The story was
wrought out with the help of a virtuous spinning-wheel in the beginning,
a vicious set of diamonds in the middle, and a rheumatic blessing (which
arrived by post) from Ma Mère towards the end; the whole resulting in a
small sword in the body of one of the stout gentlemen imperfectly
repressed by a belt, fifty thousand francs per annum and a decoration to
the other stout gentleman imperfectly repressed by a belt, and an
assurance from everybody to the provincial young man that if he were not
supremely happy—which he seemed to have no reason whatever for being—he
ought to be. This afforded him a final opportunity of crying and
laughing and choking all at once, and sent the audience home
sentimentally delighted. Audience more attentive or better behaved there
could not possibly be, though the places of second rank in the Theatre of
the Family P. Salcy were sixpence each in English money, and the places
of first rank a shilling.
Public-domain text, read in full here on John Shaqi.
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