In France, upon the whole, these ceremonies are more sensibly regulated, because they are upon the whole less expensively regulated. I cannot say that I have ever been much edified by the custom of tying a bib and apron on the front of the house of mourning, or that I would myself particularly care to be driven to my grave in a nodding and bobbing car, like an infirm four-post bedstead, by an inky fellow-creature in a cocked-hat. But it may be that I am constitutionally insensible to the virtues of a cocked-hat. In provincial France, the solemnities are sufficiently hideous, but are few and cheap. The friends and townsmen of the departed, in their own dresses and not masquerading under the auspices of the African Conjurer, surround the hand-bier, and often carry it. It is not considered indispensable to stifle the bearers, or even to elevate the burden on their shoulders; consequently it is easily taken up, and easily set down, and is carried through the streets without the distressing floundering and shuffling that we see at home. A dirty priest or two, and a dirtier acolyte or two, do not lend any especial grace to the proceedings; and I regard with personal animosity the bassoon, which is blown at intervals by the big-legged priest (it is always a big-legged priest who blows the bassoon), when his fellows combine in a lugubrious stalwart drawl. But there is far less of the Conjurer and the Medicine Man in the business than under like circumstances here. The grim coaches that we reserve expressly for such shows, are non-existent; if the cemetery be far out of the town, the coaches that are hired for other purposes of life are hired for this purpose; and although the honest vehicles make no pretence of being overcome, I have never noticed that the people in them were the worse for it. In Italy, the hooded Members of Confraternities who attend on funerals, are dismal and ugly to look upon; but the services they render are at least voluntarily rendered, and impoverish no one, and cost nothing. Why should high civilisation and low savagery ever come together on the point of making them a wantonly wasteful and contemptible set of forms?