Great Britain -- Social conditions -- 19th century; London (England) -- Description and travel
Closed double doors suddenly burst open, and two strong stewards skate
in, supporting minister between them. General appearance as of somebody
picked up drunk and incapable, and under conveyance to station-house.
Stoppage, pause, and particularly heavy rolling. Stewards watch their
opportunity, and balance themselves, but cannot balance minister; who,
struggling with a drooping head and a backward tendency, seems determined
to return below, while they are as determined that he shall be got to the
reading-desk in mid-saloon. Desk portable, sliding away down a long
table, and aiming itself at the breasts of various members of the
congregation. Here the double doors, which have been carefully closed by
other stewards, fly open again, and worldly passenger tumbles in,
seemingly with pale-ale designs: who, seeking friend, says ‘Joe!’
Perceiving incongruity, says, ‘Hullo! Beg yer pardon!’ and tumbles out
again. All this time the congregation have been breaking up into
sects,—as the manner of congregations often is, each sect sliding away by
itself, and all pounding the weakest sect which slid first into the
corner. Utmost point of dissent soon attained in every corner, and
violent rolling. Stewards at length make a dash; conduct minister to the
mast in the centre of the saloon, which he embraces with both arms; skate
out; and leave him in that condition to arrange affairs with flock.
There was another Sunday, when an officer of the ship read the service.
It was quiet and impressive, until we fell upon the dangerous and
perfectly unnecessary experiment of striking up a hymn. After it was
given out, we all rose, but everybody left it to somebody else to begin.
Silence resulting, the officer (no singer himself) rather reproachfully
gave us the first line again, upon which a rosy pippin of an old
gentleman, remarkable throughout the passage for his cheerful politeness,
gave a little stamp with his boot (as if he were leading off a country
dance), and blithely warbled us into a show of joining. At the end of
the first verse we became, through these tactics, so much refreshed and
encouraged, that none of us, howsoever unmelodious, would submit to be
left out of the second verse; while as to the third we lifted up our
voices in a sacred howl that left it doubtful whether we were the more
boastful of the sentiments we united in professing, or of professing them
with a most discordant defiance of time and tune.
Public-domain text, read in full here on John Shaqi.
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