But the original experiences of the episode included more than the mere perceptions and movements of the subject. They included trains of thought and enjoyment of the cigarette smoking experience. All formed a complex of which the tactual and other perceptions of self were subordinate elements. At one moment, of course, one element, and, at another moment another element, had been in the focus of awareness, the others becoming shifted into the fringe _where at all times were secondary visual images of herself_. Did the subconscious process underlying the vision include the whole of this complex? As to this, one peculiarity of the vision has much significance. In behavior it acted after the manner of a cinematographic or “moving picture,” and delineated each successive movement of the episode, as if a rapid series of photographs had been taken for reproduction. In this manner even the emotional and changing play of the features of the vision-self, expressive of the previous thoughts and enjoyment, were depicted. Such a cinematographic series of visual images would seem to require a concurrent subconscious process to produce the successive changes in the hallucinatory images. As these changes apparently correspond from moment to moment with the changes that had occurred in the content of consciousness during the causal episode, it would also seem that the subconscious process was a reproduction in subconscious terms of substantially the whole original mental episode. This conclusion is fortified by the following additional facts: In many experiments of this kind, if the subject’s face be watched during the visualization, it will be observed that _it shows the same play of features as is displayed by the vision face_,[94] and the visualizer at the same moment _experiences the same emotion as is expressed by the features of the vision face_,[95] and sometimes knows “what her [my] vision self is thinking about.” In other words, _in particular instances_, sometimes the feelings alone and sometimes both the thoughts and feelings expressed in pantomime in the hallucination arise at the same moment in consciousness. This would seem to indicate that the same processes which determined the mimetic play of features in the _hallucination_ were determining at the same moment the same play in the features of the visualizer, and that these processes were a subconscious memory of substantially all the original perceptions and thoughts. That is to say, this memory in such cases remains sometimes entirely subconscious and sometimes emerges into consciousness. The hallucination is simply a projected visualization induced by what is taking place subconsciously in the subject’s mind at the moment. Whether this shall remain entirely subconscious or shall emerge partially or wholly into consciousness depends upon psychological conditions peculiar to the subject.