The Corporal nodded but said nothing. The Mayor went on with his
cigar. "I'm trying to remember the name of another artist chap who
used to live in that cottage when I was a boy. We used to jang from
school on fine afternoons in the summer and go bathing in Corfield
Weir. And painting by the river was an old chap with a long beard
like Tennyson--you've seen the picture of Tennyson"--Josiah pointed
to a lithograph of the bard on the wall behind the Corporal--"but
not quite so fierce looking. Wonderful blue eyes had that old feller
... lord love me, what _did_ they call him!... I remember we used to
throw stones at his easel. We got one right through it once, when he
had nearly finished his picture and he had to begin all over again.
What _was_ the name of the old feller?" The Mayor fingered his cigar
lovingly and looked into the fire. "Soft Billy ... that was it.... Soft
Billy." Josiah sighed gently. "Poor, harmless old boy. I can see those
blue eyes now."
The Mayor drew gently at his cigar while the Corporal kept his eyes on
the fire. "That reminds me.... I've got one of the old chap's pictures,
somewhere." The Mayor laughed softly to himself. "Took it for a bad
debt ... quite a small thing ... wonder what's become of it?" He grew
pensive. "Must be up in the box room." Suddenly he rose from his
chair. "I'll go and see if I can find it."
The man of action went out of the room, leaving the Corporal in silent
enjoyment of warmth, the tobacco and many reflections.
In a few minutes Josiah returned in triumph with a small piece of
unframed canvas in his hand. He rang the bell for a duster, of which it
was much in need, and when the duster had been duly applied he held the
picture up to the light. "It wants a frame." The tone was indulgent but
casual. "Looks like Dibley Chase to me." He handed the landscape to the
Corporal who gazed at it with wistful eagerness.
"Dibley Chase was always a favorite pitch for these artist chaps.
See the Sharrow gleaming between the trees?" Josiah traced with his
finger the line of the river. "I like that bit o' sun creeping down
the valley. Good work in it, I daresay ... but I don't pretend to be
up in such matters. Very small but it may be worth a frame. Been up in
the attic at Waterloo Villa for years ... aye, long before Waterloo
Villa...." Josiah took a loving puff of his cigar. "I must have had
that picture when I first went to the Duke o' Wellington in March,
'79. How time gets on! Had it of that lame chap who used to keep
the Corfield Arms who went up the spout finally. Used to supply him
with beer. Gave me this for a barrel he couldn't pay for." The Mayor
laughed richly and put on his spectacles. "Can you see the name o' the
artist? What was the name o' that old Soft Billy ... ha, there it is."
The Mayor brought his thumb to bear on the right-hand corner. "'J.
Torrington, 1854' ... a long time ago. John Torrington, that was his
name ... some of his work grew in value, I've heard say. A harmless old
man!"
Public-domain text, read in full here on John Shaqi.
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