"Just at present, zur, when we do be 'avin' sich a mob lot from Lunnon,
'specially at week's-end, zur, we ain't got men enough to do our own
polin'. It's the war, zur, as has took 'em off. Maybe for a few day,
zur, ye might take a 'and yerself if ye didn't mind."
I waved the hand referred to--the forefinger part of it--in a
deprecating manner. I couldn't pole the lightest and most tractable punt
ten yards in a straight line to save my own or anybody else's life. Then
again, if I should impair the precision of my five fingers by any such
violent exercise, my brush would wabble as nervously over my canvas as a
recording needle across a steam-gauge. Poling a rudderless, keelless
skiff up a crooked stream by means of a fifteen-foot balancing pole is
an art only to be classed with that of rowing a gondola. Gondoliers and
punters, like poets, are born, not made. My own Luigi comes of a race of
gondoliers dating back two hundred years, and punters must spring from
just such ancestors. No, if I had to do the poling myself, I should
rather get out and walk.
Fin solved the problem--not from any special training (rowing in
regattas and the like), but rather from that universal adaptability of
the Irishman which fits him for filling any situation in life, from a
seat on a dirt-cart to a chair in an aldermanic chamber.
"I am a paper-hanger by trade, sor," he began, "but I was brought up on
the river and can put a punt wid the best. Try me, sor, at four bob a
day; I'm out of a job."
I looked him over, from his illuminated head down to his parenthetical
legs, caught the merry twinkle in his eyes, and a sigh of relief escaped
me. Here was not only a seafaring man, accustomed to battling with the
elements, skilled in the handling of poles, and acquainted with swift
and ofttimes dangerous currents, but a brother brush, a man conversant
with design and pigments; an artist, keenly sensitive to straight lines,
harmony of tints, and delicate manipulation of surfaces.
I handed him the key at once. Thenceforward I was simply a passenger
depending on his strong right arm for guidance, and at luncheon-hour
upon his alert and nimble, though slightly incurved, legs for
sustenance, the inn being often a mile away from my subject.
And the inns!--or rather my own particular inn--the White Hart at
Sonning.
Public-domain text, read in full here on John Shaqi.
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