Then again, I wanted to watch the people coming and going--it is a habit
of mine; nothing gives me greater pleasure. It has made me an expert in
judging human nature. I flatter myself that I can tell the moment I set
my eyes on a man just what manner of life he leads, what language he
speaks, whether he be rich or poor, educated or ignorant. I can do all
this before he opens his mouth. I have never been proud of this faculty.
I have regarded it more as a gift, as I would an acute sense of color,
or a correct eye for drawing, or the ability to acquire a language
quickly. I was born that way, I suppose.
The first man to approach the wicket was the Director of the Circus. I
knew him at once. There was no question as to _his_ identity. He wore a
fifty-candle-power stone in his shirt-front, a silk hat that shone like
a new hansom cab, and a Prince Albert coat that came below his knees. He
had taken off his ring boots, of course, and was without his whip, but
otherwise he was completely equipped to raise his hat and say: "Ladies
and Gentlemen, the world-renowned," etc., etc., "will now perform the
blood-curdling act of," etc.
He was attended by a servant, was smooth-shaven, had an Oriental
complexion as yellow as the back of an old law-book, black, jet-black
eyes, and jet-black hair.
I listened for some outbreak, some explosion about his bed having been
sold from under him, some protest about the rights of a citizen. None
came. The gateman merely touched his hat, slid back the gate, and the
Director of the Greatest Show on Earth, smiling haughtily, passed in,
crossed the platform and stepped into a _wagon-lit_ standing on the next
track to me labelled "Paris 312," and left me behind. The gateman had
had free tickets, of course, or would have, for himself and family
whenever the troupe should be in Cologne. There was no doubt of it--I
saw it in the smile that permeated his face and the bow that bent his
back as the man passed him. This kind of petty bribery is, of course,
abominable, and should never be countenanced.
Some members of the troupe came next. The gentleman in chocolate with my
five francs in his pocket did not mention the name of any other member
of the troupe except the Director, but it was impossible for me to be
mistaken about these people--I have seen too many of them.
Public-domain text, read in full here on John Shaqi.
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