American fiction -- 20th century; Divorce -- Fiction; Married people -- Fiction; Rich people -- Fiction
To begin with, she had turned her thought to her own home, where
cleanliness and order ruled, but where she had hitherto refrained from
other than haphazard efforts at pleasing effects. Her idea had been to
be comfortable and decent, and to let the rest take care of itself, but
now the ambition was awakened to impart taste to her surroundings. To
her satisfaction she found that this was not difficult to accomplish
even with her modest resources, as her mentor had predicted. Her
woman's intelligence and native refinement reinforced her aroused
interest, and by altering the angles and position of her furniture, and
by introducing a few spots of color to enliven the monotony of her
rooms she was able to effect a modest transformation delightful to her
own eyes. To plant flowers in boxes for her windows and to arrange the
few pictures she owned to advantage was the next step. The modern
design of her apartment lent itself to her efforts, as though its
newness, its modern tiles and its wall-papers were in league against
dull commonplaceness, and it seemed to her presently almost horrible
that she had remained indifferent for so long to the necessity of
external appearances, absorbed in the processes of introspection. When
she and Emil had married her predominant impulse had been to be a good,
loving wife to him, and to make his home inviting by her cheerfulness
and tact. The new, clean house had seemed to her pretty in itself, and
she had taken for granted that the sets of furniture, the carpets, and
other household goods, bought hastily, could not fail to set it forth
to advantage. They were substantial, fresh, and paid for, and in her
happiness it had not occurred to her to bother further. To do so would
have seemed to savor of undue worldliness. Now how far away appeared
that time of joyful ignorance, and how foreign to her present
sophistication its artless outlook. She had deemed herself cultivated
then, and later, in the stress of her misfortunes, had cherished
thoughtful simplicity as the essence of personal refinement, the
life-buoy to which she clung amid the waste of waters. By the light of
experience it was plain that she had starved herself and eschewed as
effete or unimportant that which was wholesome and stimulating. The
same impulse led her to take a new interest in her own personal
appearance, to arrange her hair tastefully, to consider a little what
colors suited her best, and in various simple ways to make the most of
her own personal advantages for the first time in her life. Not in the
spirit of vanity, but in acknowledgment that she had too much neglected
the temple of the body. And not only in respect to beauty in the
outward manifestations of everyday life did she feel that she had been
blind to what existence offered, but where art touched religion. She
was able to approach faith from a new point of view; to wrap her naked
intellectual communion with the garment of the church properties--to
Public-domain text, read in full here on John Shaqi.
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