American fiction -- 20th century; Divorce -- Fiction; Married people -- Fiction; Rich people -- Fiction
Though slap-dash and over-confident in her ways, Loretta was capable
and quick to adopt and to perform skilfully whatever appealed to her.
Her experience as a cashier in a drug store had given her a lingo and a
certain familiarity concerning modern remedies, and she had a natural
aptitude with her hands. Some of the maternal hygienic niceties
practised by Constance appeared to amuse her at first, but as she
became more interested in her baby, she outdid her neighbor in
pharmaceutical experiments with powder, oil, perfume, and whatever she
thought likely to make her child a savory specimen of babyhood. When
the child was a year old, Mrs. Wilson made good her promise that
Loretta should be instructed in nursing by securing her admission to a
hospital. At the same time she engaged another of her wards, a
responsible, elderly woman, to take up her abode in Loretta's tenement,
and it was arranged that this custodian should also tend Constance's
children during their mother's absence down-town. How to guard her
children properly after their return from school had been agitating
Constance, and this plan was exactly to her liking. She paid a small
sum weekly from her earnings for the supervision, and it was understood
that Loretta should have the same privilege after her apprenticeship
was over and she had become self-supporting. So it was that Mrs.
Wilson felt she had reason to be gratified by her philanthropic
experiment in Lincoln Chambers.
XIV
The zest of existence must be largely ethical and subjective for the
majority of us or we should speedily become despondent or bored.
Contact with life is necessarily so commonplace for the mass of
humanity, that, were we dependent on personal participation in large
events and dramatic, splendid experiences for inspiration and content,
few would not find themselves restless and in the mental doldrums.
Fortunately for our peace of mind, most of us not only appreciate that
pictorial and world-stirring, or even exciting, affairs can be the lot
of only a fraction of mankind, but, by virtue of the imagination,
manage to impart to our more or less humble vicissitudes the aspect of
an engrossing situation. We recognize the relative insignificance of
the individual drama, but its reality holds us. Its characters may be
few, its scenery bare, its action trite and simple to other eyes, yet
each of us, as the leading actor, finds in the development of a human
soul a part which fascinates him, and lends itself to the finest shades
of expression. Whether it be a king on his throne, or a cripple in his
cot, the essential matter to the world is the nice interpretation. So,
as the true artist in a subordinate rôle forgets for the time that he
is not the leading actor, we refuse to be depressed by the unimportance
of our theatricals and are absorbed by the unfolding perplexities of
our own soul play.
Public-domain text, read in full here on John Shaqi.
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