German fiction -- Translations into English; Germany -- Fiction; Sin -- Fiction
"This is the method that I have discovered of hanging the devil up in
the chimney," he said; "and I assure you it affords me holy joy when I
do it."
He stuck the half-smoked cigar in the holder, and smoked with all the
strength of his lungs.
"There's one thing that I don't understand," said Leo, who now tried to
enter into the joke in earnest. "If you have got the devil so entirely
in your power, why haven't you made him black all over?"
The old man laid his finger on his nose with a worldly-wise air.
"You speak like an ignorant sinner. Think what a poor creature the
devil would be if he couldn't get some concessions from me and you!
Just as I am hard at it, robbing him of all his power, he understands
how to awaken my pity. This is the devil's peculiarity. He attacks us
through our soft places. This, you see, was so smooth and fair and
white. Well, I simply felt as if I couldn't. So, you see, I entered
into a compact with him, which was just to smoke a stocking on to him,
and to leave the rest as it was by wrapping it up in wool. And now do
you see, Fritzchen, that is our whole art. We can't render him
powerless, but we can put socks on him, and hide the rest." And as
carefully as he had taken off the wrappings, he began to adjust them
again on the part that was not discoloured.
"Good gracious!" ejaculated Leo. "This is symbolism with a vengeance.
It reminds me of the second part of 'Faust.'"
"Don't talk of 'Faust' to me, Fritzchen. Goethe lived like an old
heathen, and wrote like an old heathen. When he scanned his verse, he
played with his five fingers on the piano and wasn't a bit inspired.
Francke and Pusckin composed some fine and stirring verse; but they
didn't do it in that fashion. And it is to be hoped the time is long
passed when Schleiermacher and the whole lot of liberal divines were
allowed to quote Goethe in the pulpit, as if he were one of the fathers
of the Church. Besides, he was generally wrong. The eternal feminine
draws us upwards, he says somewhere. A very fine noble sentiment, but
there is another kind of feminine, equally eternal, that drags us down,
Fritzchen, till we don't know at last whether there can be another
slough for us to sink into. Many have the genius that helps them to get
out of it, but many a one sticks fast and the bog closes over him."
Leo felt his blood rise hotly to his cheeks, for the eyes opposite were
hurling at him their most ominous darts. He refilled the glasses. The
old man gulped down his wine hastily, and the bushy brows began to
twitch. It was a sign that he had reached the stage when his original
tirades were at their height. The late baron's "round table," at which
he had sat as jester, had always greeted this signal with roars of
laughter.
Leo expected to find out now his old friend's most private and true
opinion of his own position.
Public-domain text, read in full here on John Shaqi.
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