The only consolation that he found in this whirling chaos of emotions was love. For Kurt loved and was beloved! The blessed knowledge had been conveyed to him in a gilt-edged note sealed by a rosebud, the sort of stationery affected by very young ladies. One day at the end of September it had been delivered to him by the goose-herd at the farm and had run as follows-- "Dear Herr Kandidat, "The song 'Smiling Stars,' which you dedicated to me, is quite charming. Unfortunately my brother took it away from me before I got hold of it. I must warn you against my brother, for he is very angry with you; and I am rather afraid he may challenge you. That would be so awful, I think it would kill me. I beg of you, therefore, not to send me any more poems; or if you do, please don't address them to Halewitz. On the road between Halewitz and Wengern there are some milestones with figures on them. The stone that I mean has the figures 24 on it. Will you please bury your poems in the earth behind the stone, and as a sign that you have buried them make a little cross out of twigs, and stick it up in front of the stone. Then I should know directly when I come by. And I entreat you to keep this a secret till your dying day, for I am strictly watched. Even Hertha keeps a look-out on me--ah, it is dreadful. "With kind regards, "Yours sincerely, "E. V. S. "P.S.--Please do it soon." This was the beginning of a lively correspondence between Elly and the Candidate, which was conducted partly in verse and partly in prose, and left nothing to be desired in fire and ardour. Kurt's opinion of himself rose tremendously under its influence. Oswald Stein now had the advantage of him in nothing. In case Melitta--that was to say, Felicitas--persisted in scorning him, at least the little fair girl, who was so madly in love with him, still remained. He had forgotten her name in the book, but he would call her "Elly" for the nonce. Elly's sentimental scrawls provided him with enough amusement to kill time. They alternated between poetic gush, such as one finds in novels, and comical outbursts of alarm. "Myrtle wreaths," "the song of the nightingale," and "starlit spheres," were phrases as numerous as "stabs of conscience," "suicide and desperation." Twice already she had implored him to end the correspondence, and to set her free; but there was always a fresh communication behind the milestone.