The United States in the Light of Prophecy: Or, an Exposition of Rev. 13:11-17Smith, Uriah
Religion
The United States in the Light of Prophecy: Or, an Exposition of Rev. 13:11-17
Smith, Uriah
Bible. Revelation XIII, 11-17 -- Prophecies
"It was customary among the ancients for servants to receive the
mark of their master, and soldiers of their general, and those who
were devoted to any particular deity, of the particular deity to
whom they were devoted. These marks were usually impressed on their
right hand, or on their foreheads, and consisted of some
hieroglyphic character, or of the name expressed in vulgar
letters, or of the name disguised in numerical letters according to
the fancy of the imposer."
Prideaux says that Ptolemy Philopater ordered all the Jews who applied
to be enrolled as citizens of Alexandria to have the form of an ivy leaf
(the badge of his god, Bacchus) impressed upon them with a hot iron,
under pain of death. (Connection B.C. 216.)
The word used for mark in this prophecy is [Greek: charagma]
(_charagma_), and is defined to mean, "a graving, sculpture, a mark cut
in or stamped." It occurs nine times in the New Testament, and with the
single exception of Acts 17:29, refers every time to the mark of the
beast. We are not, of course, to understand in this symbolic prophecy,
that a literal mark is intended; but the giving of the literal mark, as
practiced in ancient times, is used as a figure to illustrate certain
acts that will be performed in the fulfillment of this prophecy. And
from the literal mark as formerly employed, we learn something of its
meaning as used in the prophecy; for between the symbol and the thing
symbolized there must be some resemblance. The mark, as literally used,
signified that the person receiving it was the servant of, acknowledged
the authority of, or professed allegiance to, the person whose mark he
bore. So the mark of the beast, or the papacy, must be some act or
profession by which the authority of that power is acknowledged. What
is it?
Public-domain text, read in full here on John Shaqi.
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