Equally important was the growth of national literature. This indeed goes back far beyond the sixteenth century, but none the less it is from this time that the writers not only of imagination, but also of learning, began to express themselves each in his own vernacular. Sir Thomas More, it is true, wrote his _Utopia_ in Latin, but it was in English that it had its great circulation. Bacon used both languages, but it is on English editions of his works that his fame chiefly rests. In particular we find that works on religion and theology are now produced not only in Latin, but one hundred years before Hooker would have discoursed on 'ecclesiastical polity' in the learned language, and Pascal would never have thought of using French for discussing the philosophy of the Jesuits. The influence of these changes upon the school is remarkable. Strictly speaking, for many generations they seemed to have little immediate effect upon it. In every country in Europe Latin remained both the subject and the vehicle of higher education, but it is just for this reason that we find that, during the seventeenth century and the greater part of the eighteenth, the schools are more and more falling out of touch with the intellectual life of the times. They continued in the old way; for them Shakespeare and Milton, Montaigne and Moliere, Cervantes and Tasso, seemed to have written in vain. They maintained the form of an older period, but they had lost the spirit by which it had been inspired. Their learning remained purely classical; but even though the new national literature was long in winning for itself a definite place in the recognized school system, the growth of this literature and the evolution of national consciousness of which it was a part could not in fact take place without altering the whole spirit of the teaching. If we are to understand how this was we must keep in mind one of the chief characteristics of what is called a classical education. The study of the classics means the study of the whole life of the two great nations of antiquity as preserved in the extant literature. Now this does not contain a definite and formulated doctrine, it does not even, as might be said of the Middle Ages, mean one attitude towards the world; it opens to the student a field of extraordinary wealth and variety, and from this each will take that which he is able to appropriate. To one it may be the mysticism of the Cambridge Platonists, to another the frank and pagan joy in life of Anacreon and Horace. Rousseau and Grote will each in his own way appropriate the lesson of Liberty, while others will turn to the story of the militant and dominant aristocracy of Rome. Goethe and Keats, Milton and Gibbon, Berkeley and Schopenhauer, will each draw their inspiration from the classics, but the result will not be to make them resemble one another, it will be to give vigour, decision, form, resolution, and dignity to the qualities of each.