It is enough. The ancient gulf scooped by human conceit between man and the other animals has been effectually and forever filled up. The human species constitutes but one branch in the gigantic arbour of life. And all the merit and all the feeling and all the righteousness of the world are not, as we have been accustomed to aver, congested into this one branch. And all of the weakness and deformity are not, as we have also been anxious to believe, found elsewhere. The reluctance of wrinkles and deformities to appear in the pictures of men, and of strength and beauty to appear in the representations of the other races of the earth, is to be accounted for by the highly elucidative fact that man is the universal portrait-painter. There is no one to tell man what he is and how he strikes others, and hence he is the ‘paragon of creation’—the inter-stellar pet, half clay and half halo—the image and pride of the gods—the flower and gem of the eternal spheres. Man is the only professional linguist in the universe. And it is fortunate for him that he is. For, if he were not, his auditories would be compelled to carry to his perceptive centres a great many sentiments he now never hears. He would be likely to hear a good deal said, and said with a good deal of feeling, about perpendicular brigand—grandiloquent kakistocrat swelling with self-righteousness—rhetorical hideful wrapped in pillage and gorged with decomposition—a voluble and sanctimonious squash with two sticks in it. The definition of man as it appears in the dictionary of the donkey probably runs something like this: ‘_Man_ is an animal that walks on its hind-legs, invents adjectives with which to praise itself, and displays its greatest utility in proving that all sharks are not aquatic.’ We know what a lion looks like when painted by a man, but human eyes have never yet been allumined by the sardonic lineaments of a man painted by a lion. Being boiled alive in order to look well as corpses in store-windows, and having wooden pegs thrust into our muscles and left there to rot for a week or two to keep us in our agony from doing something desperate—we know what these experiences are like when they are delegated to lobsters, and we take no more serious part in them than to insure their infliction, but we are too fervent barbarians to bother our heads about what they are like from the crustacean point of view.