Though the buildings on the Campus have not, until very recently, been
placed with any careful relationship to a general scheme, and exhibit a
very unfortunate lack of architectural harmony, in certain features the
Campus gives promise of better things in the future. Some of the
buildings have real beauty, though it is too often lost in an
unfavorable environment. Charming details are to be found here and
there, while the green canopy of the elms and maples planted sixty years
ago helps to give our academic field a real distinction. Fortunately the
center of the Campus has been left comparatively free of buildings, save
for the rambling old Chemistry Building, now used by the departments of
Physiology and Economics, and the plain but imposing bulk of the new
Library Building, a fitting center whence paths diverge in every
direction to the halls and laboratories along the avenues that mark the
outer confines of the Campus. Lack of funds and the imperative need of
room, and yet more room, for the thousands of new students, has severely
limited the Regents in the matter of adornment of the buildings erected
in recent years, which have all tended to conform to one type, simple,
dignified in their very rectangular bulk, and relieved only by patterns
in tapestry brick and terra cotta trimmings.
Within recent years, too, the new buildings have been carefully placed,
not only with reference to the present Campus, but also the inevitable
northeastward growth of the University toward the hills lining the
river. For some time the Regents have been acquiring scattered parcels
of property as occasion presented, and now own a good share of the land
in the triangle bounded roughly by Hill Auditorium, the University
Hospitals and Palmer Field, an area twice as large as the present
Campus. In addition there is the University Arboretum and Botanical
Gardens, a large area south and east of Forest Hill Cemetery, which is
now linked up by boulevards with the rapidly growing system of city
parks.
Public-domain text, read in full here on John Shaqi.
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