mirror which hung over it, but these candles were not lighted, neither
were those on the writing-table at the other end of the room. When there
was company, or, indeed, any visitor, in the evening they were lighted.
The pair on the mantelpiece only when the visitor was unimportant, but
the whole six when anybody of consequence was there, and then, you may
suppose, how bright the room was, lighted _al giorus_, so to speak. But
the household, and Elsie’s little friends, when they came rushing in
with some commission from their mothers, were very well contented with
the two on the table. They wanted snuffing often, but still they gave,
what was then supposed to be, a very good light.
Elsie looked up, pleased to see her brother, and let her work fall on
her knee. Her needlework was one of the chief occupations of her life,
and she considered the long hours she spent over it to be entirely a
matter of course; but, by this hour of the night, she had naturally
become a little tired of it, and was pleased to let it drop on her knee,
and have a talk with Rodie over the fire. It was considered rather
ill-bred to go on working, with your head bent over your sewing, when
anyone came in. To be sure, it was only her brother, but Elsie was so
glad to see him a little earlier than usual, that, though the task she
had given herself for the evening was not quite completed, she was glad
to let her seam drop upon her knees. “Oh, Rodie, is that you?” she said.
“Of course it’s me,” said Rodie. “I suppose you were not looking for
anybody else at this hour?”
“I am glad you are in so soon,” said Elsie. “And who was that that came
with you to the door? Not Johnny Wemyss. I could tell by his foot.”
“What have you to do with men’s feet?” said Rodie, glad to find
something to spend a little of his wrath upon. “Lassies must have
tremendously little to think of. I am sure I would never think if it was
one person’s foot, or another, if I were sitting at home like you.”
“Well,” said Elsie, “you never do sit at home, so you cannot tell. I
just notice them because I cannot help it. One foot is so different from
another, almost as much as their voices. But what is the matter with
you, Rodie? Have you been quarrelling with somebody? You look as if you
were in a very ill key.”
“I wonder who wouldn’t be in an ill key? There is that feckless gomeril,
Frank Mowbray----” (“Oh, it was Frank Mowbray?” Elsie interjected in an
undertone)--“going on about debts and nonsense, and folk in the town
that owe him money, and that he’s coming to my father to ask him who
they are; as if my father would go and split upon poor bodies that
borrowed from old Anderson. I had it in my heart,” cried Rodie, striking
with his heel a piece of coal that was smouldering in the grate, and
breaking it up into a hundred blazing fragments--“I had it in my heart
to take him by the two shoulders, and fling him out like potato peelings
into the road.”
Public-domain text, read in full here on John Shaqi.
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