England -- Fiction; Mothers and daughters -- Fiction
But even as she said it she sighed, because her legs ached. She stood
still in the middle of the room, and stooping down, touched the swollen
veins gingerly. The feel of them alarmed her as it always did, and her
flare of resolution died out.
A great sense of self-pity came over her, bringing with it a crowd of
regrets. She looked about at all the familiar objects and began
remembering. How desolate the room was. It had not always been like
this. Her mind travelled back over the years to the last Anniversary Day
that Leaside had known. Candles and flowers had lent charm to the room,
yes, charm; she actually thought now that the drawing-room had looked
charming then by comparison. That was the occasion, she remembered, when
her mother had worn a dove-grey dress, and Elizabeth, all in green, had
reminded her of a larch tree. Elizabeth, all in green! She always
remembered her like that. Why always in that particular dress? Elizabeth
had looked so young and vital in that dress. Perhaps it had been
symbolical of growth, of fulfilment; but if so it had been a lying
symbol, for the fulfilment had not come. And yet Elizabeth had believed
in her up to the very last. It was a blessed thing to have someone to
believe in you; it helped you to believe in yourself. She knew that
now--but Elizabeth was married, she was leagues away in Cape Town; she
had forgotten Joan Ogden, who had failed her so utterly in the end. Oh,
well----
She sat down at her mother's desk and began to write:
"DEAR DOCTOR CAMPBELL,
"My aunt, Mrs. Blane, tells me----"
Then she tore up the letter. "I can't decide to-night," she thought.
"I'm too dead tired to think."
CHAPTER FIFTY
1
JOAN got out of the cab. In her hand she gripped a birdcage, containing
Bobbie, well muffled for the journey.
"That's the 'ouse, miss," said the driver, pointing with his whip.
A large gate painted and grained, with "The Pines" in bold black
lettering across it. She pushed it open and walked up the drive.
Speckled laurels and rhododendrons, now damp and dripping, flanked her
on either hand. The yellow gravel was soggy and ill-kept, with grass and
moss growing over it. At a bend in the drive the house came into view; a
large three-storied building of the Victorian era, with a wide lawn in
front, and a porch with Corinthian columns. The house had once had the
misfortune to be painted all over, and now presented the mournful
appearance of neglected and peeling paint. As Joan rang the bell she got
the impression of a great number of inadequate sash windows, curtained
in a dull shade of maroon.
A middle-aged maid-servant opened the door. "Miss Ogden?" she inquired,
before Joan had time to speak.
"Yes, I'm Miss Ogden. Do you think my luggage could be brought in,
please?"
"That cabby should have driven up to the door," grumbled the woman. "And
he knows it, too; they're that lazy!"
Public-domain text, read in full here on John Shaqi.
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