"I have smelt the several odours of his liquors; nay, I have seen him
set fire to a handkerchief dipt in that which smelt like brandy, and it
burnt blue like spirituous liquors.... Nay, he frequently promised at
Venice to give the water back again in milk and oil. But I think he did
not keep his word. In short, he concluded this scene with swallowing
successfully thirty or forty glasses of water, always from the same
bucket, and after having given notice to the company by his man (who
served as an interpreter) that he was going to disembogue, he threw his
head back, and spouting out the fair water, he made it spring up with an
impetuosity like that of the strongest _jet d'eau_. This last feat
delighted the people infinitely more than all the rest, and during the
month he was at Francfort numbers from all parts came to see this
slovenly exercise. Though he repeated it more than once a day he had
more than four hundred spectators at a time. Some threw their
handkerchiefs, and some their gloves upon the stage, that he might wet
them with the water he had cast up, and he returned them differently
perfumed, sometimes with rose-water, sometimes with orange-flower-water,
and sometimes with brandy."
Another famous juggler and water-spouter was Floram Marchand, whose
picture is herewith reproduced. Judging from his dress, he antedated
Manfrede.
Bell's _Messenger_ of July 16th, 1816, tells of a sword-swallower whose
work is extremely pertinent to this discussion, and the clipping is
quoted verbatim:
[Illustration: Floram Marchand. From an old, undated English publication
in the Harry Houdini Collection.]
"The French papers give a curious account of one James de Falaise, a
Norman, about fifty years of age, living in the Rue St. Honoré. It is
said that this extraordinary man will swallow whole walnuts, shell and
all, a tobacco pipe, three cards rolled together, a rose with all its
leaves, long stalk, and thorns, a living bird, and a living mouse, and,
lastly, a live eel. Like to the Indian jugglers, he swallows the blade
of a sabre about thirteen inches long of polished steel. This operation
he performs very slowly, and with some precaution; though he evinces no
symptom of pain. After every solid body that he swallows, he always
takes a small dose of wine expressly prepared for him. He does not seem
to make any effort to kill the living animals that he takes in his
mouth, but boasts that he feels them moving in his stomach."
[Illustration: Position taken by the subject in the Indian basket trick
before he is covered by the sheet.]
In my collection is the handbill of a stone-swallower who exhibited at
No. 10 Cockspur Street, London, charging an admission fee of
half-a-crown.
[Illustration: Indian fakir seated in the basket after the subject has
been "vanished."]
Public-domain text, read in full here on John Shaqi.
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