A man who has made a fortune in the world of magic and who desires to
hand down to posterity a clean record of his attainments will be clever
enough and manly enough to avoid any attempt to explain that which he
does not understand. By his flagrant mis-statements regarding the tricks
of his predecessors and contemporaries, Robert-Houdin, however, convicts
himself of ignorance regarding the fundamental principles of magic, and
arouses in the minds of broad, intelligent readers doubts regarding his
claims to the invention of the various tricks and automata which he
declares to have been the output of his brain, the production of his own
deft hands.
CHAPTER XI
THE NARROWNESS OF ROBERT-HOUDIN'S "MEMOIRS"
The charm of true memoirs lies far beyond the printed pages, in the
depth and breadth of the writer's soul. The greatest of all
autobiographies are those which detail not only the lives of the men who
penned them, but which abound in diverting anecdotes and character
studies of the men and women among whom the writer moved. They are not
autobiographies alone, but vivid, broad-minded pen-pictures of the
period in which the writer was a vigorous, respect-compelling figure.
Memoirs written with a view to settling old scores seldom live to
accomplish their ends. The narrowness and pettiness of the writer, which
intelligent reading of history is bound to disclose, destroy all other
charms which the book may possess.
At personal exploitation Robert-Houdin is a brilliant success. As a
writer of memoirs he is a wretched failure. Whenever he writes of
himself, his pen seems fairly to scintillate. Whenever he refers to
other magicians of his times, his pen lags and drops on the pages blots
which can emanate only from a narrow, petty, jealous nature.
Even when he writes of his own family, this peculiar trait of petty
egotism may be read between the lines. He mentions the name of his son
Émile, apparently because the lad shared his stage triumphs. His other
children he never mentions by name. The second wife, who, he grudgingly
admits, stood valiantly by him in his days of poverty and
disappointment, he does not honor by so much as stating her name before
marriage. Rather, he refers to her as a person whom he was constrained
to place in charge of his household in order that he might continue his
experiments and his work on automata. A less gracious tribute to wifely
devotion was never penned.
Public-domain text, read in full here on John Shaqi.
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