The truth, sad to state, is that the bottle trick did not create the
sensation he claims for it in London, nor did the press eulogize it. It
was classed with other ordinary tricks, and twenty London papers bear
mute testimony to this fact. In a complete collection of press clippings
regarding his first London appearance, only four of the London papers
mention the trick. _The Times_, the great conservative English paper, in
reviewing Robert-Houdin's performance in its issue of May 3d, 1847,
ignored the trick entirely. The four London papers which made mention of
the bottle trick, and then only in a passing comment, were _The
Chronicle_, _The Globe_, _The Lady's Newspaper_, and _The Court
Journal_. Any one acquainted with the two last-named periodicals will
know that they rarely reach the hands of the humble artisans in
Manchester. _Punch_, London's great comic paper, gave the trick some
space, however.
The trick of pouring several sorts of liquors from the same bottle has
been presented in various forms and under different names. To prove the
futility of Robert-Houdin's claims I will explain the mystery of this
trick, which is of an interesting nature.
To all intents and purposes the bottle used looks like glass; but it is
invariably made of tin, heavily japanned. Ranged around the central
space, which is free from deception, are five compartments, each
tapering to a narrow-mouthed tube which terminates about an inch or an
inch and a half from within the neck of the bottle. A small pinhole is
drilled through the outer surface of the bottle into each compartment,
the holes being so placed that when the bottle is grasped with the hand
in the ordinary way, the performer covers all but one of the pinholes
with his fingers and thumb. The centre section is left empty, but the
other compartments are filled with a funnel which has a tapering nozzle
made specially for this purpose.
The trick is generally started by proving to the audience that the
bottle is empty. It is then filled with water, which is immediately
poured out again, all this time the five pinholes being covered tightly
with the hand or fingers which are holding the bottle. When a liquor is
called for, the performer raises the finger over the air-hole above that
particular liquor, and the liquor will flow out. When a large number of
liquors may be called for, the performer has one compartment filled with
a perfectly colorless liquor, which he pours into glasses previously
flavored with strong essences. Certain gins and cordials can be
simulated in this fashion.
Public-domain text, read in full here on John Shaqi.
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