The Unpopular Review, Number 19: July-December 1918Various
History
The Unpopular Review, Number 19: July-December 1918
Various
American periodicals
One of my first discoveries (after the simplest rudiments of the art I
essayed to practise) was that of all topics on the lips of men the
garden is the most conversable, the most fraternal. Hitherto,
observation had led me to suppose children and rheumatism the most
universal of interests. Having neither myself, I have been cut off from
that fluent intercourse upon first steps and first words, adenoids,
preventive dentistry, potatoes carried in the pocket, baths of hot
brine, and the proportion of protein in the diet, which makes strangers
or friends akin. There was always the weather; but--unless one has a
garden, as sensitive as a poet to every nuance of sun or
atmosphere--talk of the weather is a mere subterfuge, a symbol of our
inarticulateness and awkward shyness masking our human yearning to know
our fellows and to wish them well. The garden, as a subject of
discourse, combines all the pretext offered by the weather to hint our
good will without violating our shyness; all the diversity and perpetual
surprise of a child's development; all the right to condole with
misfortune and to be agreeably officious about remedies enjoyed by those
who encounter the rheumatic; all the delight of professional
note-comparing known to invalids, cooks, and pedagogues. To appear in my
garden, equipped with sun-hat and hoe, was, I found, to be hail-fellowed
by every condition of men--pickaninnies, delivery-men, professors,
elegants and inelegants, experts and inexperts. My acquaintanceship
among my neighbors grew like Jonah's gourd. "Do you mind my asking what
that line of white strips is for?" "To warn the English sparrows off my
pea-vines."--"Would you like some young cabbage-plants?"--"Your corn is
lookin' fine!" Common interests were visible and inexhaustible.
* * * * *
Other sociabilities also I have found in the garden. We prate a good
deal of "companionship with nature," and go out fussily to seek it, with
camera, bird-book, field-glasses, and expensive camping gear. In the
garden one loses all this self-consciousness. Instead of personifying
nature, and offering her the compliment of man's society, one sinks into
one's place as a piece of nature. The catbird spluttering joyous music
at me, almost forgetting to be afraid; the cardinal that looks down where
I stand tossing off a magnificent plume of spray from my watering-pot,
and whistles, "We-e-ell! Who'd-have-thought-to-see-you-keeping-at-it?"
and I myself, turning to my own uses the perpetual need of life to renew
itself, to evolve out of seed and bulb new seeds and bulbs, which shall
give birth in time to other seeds and bulbs--we are all part of the same
process.
Public-domain text, read in full here on John Shaqi.
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