The Unseen Bridegroom; Or, Wedded For a WeekFleming, May Agnes
General
The Unseen Bridegroom; Or, Wedded For a Week
Fleming, May Agnes
Fiction
"Ah, poor creeter!" sighed the old woman, plaintively, a second time;
"only hear her talk now. And such a pretty little thing, too! Dear,
dear! It goes to one's heart. Don't keep her standing in them wet
clothes, sir. Come upstairs. Such a pity, such a pity!"
She hobbled away, muttering to herself and shaking her head. The
disguised man laughed--a low, deriding laugh.
"You see, my dear little Mollie, you'll get any amount of pity, but
nothing else. Old Sally will be very sincerely sorry for you, but she
won't help you to escape. On the contrary, she'll keep you under lock
and key as faithfully as though you were the Koh-i-noor. Come in, you
may take cold in this nasty, draughty passage."
He drew her with him. Mollie seemed in a sort of dreamy swoon, and went
passively. They ascended the stairs into another dark and draughty hall,
flanked on either side by a couple of doors. One of these the old dame
opened, and quite a new picture burst on Mollie's sight.
The apartment was not at all like the mysterious padded room of former
experience; the four bare walls were plastered and blankly bare; the
boarded floor was strewn with rags; the two big square windows were
draped with paper-blinds. A huge fire of logs, such as Mollie had never
beheld in her life before, roared gloriously in the old-fashioned
fire-place, and lighted the room with a lurid glow. A four-post
bedstead, the bed covered with a gaudy patch-work or counterpane, stood
in one corner, a table with a white cloth stood in another, a chest of
drawers in a third, and the door by which they entered in the fourth.
This was Mollie's new prison.
"Elegant simplicity," observed the man, leading her in; "but we will
do our best to make you comfortable during your stay. It need not be
long--you know it depends on yourself, Mollie."
"On myself?"
She turned her pale face and angry, eyes upon him.
"I am your husband by a secret marriage, you know. Let that marriage be
solemnized over again in public--no one need know of the other: consent
to be my wife openly and above-board, and your prison doors will fly
open that hour."
"In Heaven's name, who are you?" cried Mollie, impatiently. "End this
ridiculous farce--remove that disguise--let me see who I am speaking to.
This melodramatic absurdity has gone on long enough--the play is played
out. Talk to me, face to face, like a man, if you dare!"
Her eyes blazed, her voice rose. The old woman looked from one to the
other, "far wide" but in evident curiosity. The man had persisted in
speaking to her in French, and Mollie had answered him in that language.
"Be it as you say!" cried her captor, suddenly; "only remember, Mollie,
whether I am the person you prefer to see under this disguise or not, I
am nevertheless your husband as fast as the Reverend Raymond Rashleigh
can tie the knot. You shall know who I am, since it is only a question
of to-night or to-morrow at the most. Sally, you can go."
Public-domain text, read in full here on John Shaqi.
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